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Reef
Spotted, dotted corals and darting, iridescent fish flicker amidst rainbow-coloured reefs. A delightful, compact package, Ken Done¿s Reef is one of four books in a collectable set exploring his most iconic landscapes.
Australian Artists in the Contemporary Museum
In Australia, the artist’s engagement with the museum is traditionally regarded as having an important role in the colonial project but, as times have changed, the post-colonial viewpoint has come to the fore. The authors of Australian Artists and the Museum propose that the artists’ engagement has moved from politically informed critique taking place in museums of fine art, towards a critique of the creation of knowledge taking place in non-art museums, assuming new forms, including the artist acting as curator, art interventions that highlight the use of taxonomic modes of display and categorization, and the engagement with the aesthetics of collections to suggest different readings of objects and artefacts.
Outback
Rich reds, fuchsias, oranges, umbers, blacks, pinks and cadmium yellows abound in this ode to the Australian Outback. A delightful, compact package, Ken Done¿s Outback is one of four books in a collectable set exploring his most iconic landscapes.
Sidney Nolan
The newest addition to the Artist’s Materials series offers the first technical study of one of Australia’s greatest modern painters. Sidney Nolan (1917–1992) is renowned for an oeuvre ranging from views of Melbourne’s seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with...
Ken Done
This book features essays by curators from the Powerhouse Museum and Done Art and Design who look at the origins of an inspirations for Ken Done's work from his art school days in the 1950s thorugh his years in advertising to his work now as an artist and designer.
Sydney Parkinson
Sydney Parkinson was one of the botanical artists on Captain Cook's journey's on the Endeavour. He was the first botanical artist to draw and paint plants collected on the exploratory voyages and he was the first artist to set foot on Australian soil, to draw an authentic Australian landscape, and to portray Aboriginals from direct observation. Everything is included in this large volume in the way of explanatory texts which accompany over 250 plates, nearly all of them executed by Parkinson as original drawings and paintings. The chapters correspond to the main areas in which discoveries were made. Much of the original material is still available for inspection at the British Museum (Natural History). A substantial proportion of the plates are in full colour, and included with them is information about the current whereabouts of the original material.
Australian Watercolour Painters, 1780-1980
Includes chapter on the Aranda water colourists at Hermannsburg, particularly the work of Albert Namatjira and role of Rex Battarbee.
Brisbane
Brisbane: Utopian Dreams and Dystopian Nightmares tells the stories of little-known, and rather peculiar aspects of Brisbane’s colourful history. Eleven Brisbane authors from the 19th and 20th centuries wrote about how wonderful, ‘utopian’, Brisbane could be — or how dreadful, ‘dystopian’, it could also be. Some writers imagined a future utopian Brisbane where inequality has been eliminated, where everyone is prosperous, living in the most beautiful city with wide, tree-lined boulevards, wonderful opera-houses and museums, bubbling fountains and grand squares. They saw Brisbane becoming the centre of the civilised world, a model for humanity. Other writers depicted Brisbane as ha...
