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The Reception of Charles Dickens in Europe
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected Dickens's fortunes in Europe, and his impact on major European authors and movements. Essays by leading international critics and translators give full attention to cultural changes and fashions, such as the decline of Dickens's fortunes at the end of the nineteenth century in the period of Naturalism and Aestheticism, and the subsequent upswing in the period of Modernism, in part as a consequence of the rise of film in the era of Chaplin and Eisenstein. It will also offer accounts of Dickens's reception in periods of political upheaval and revolution such as during the communist era in Eastern Europe or under fascism in Germany and Italy in particular.
A History of Victorian Literature
Incorporating a broad range of contemporary scholarship, A History of Victorian Literature presents an overview of the literature produced in Great Britain between 1830 and 1900, with fresh consideration of both major figures and some of the era's less familiar authors. Part of the Blackwell Histories of Literature series, the book describes the development of the Victorian literary movement and places it within its cultural, social and political context. A wide-ranging narrative overview of literature in Great Britain between 1830 and 1900, capturing the extraordinary variety of literary output produced during this era Analyzes the development of all literary forms during this period - the novel, poetry, drama, autobiography and critical prose - in conjunction with major developments in social and intellectual history Considers the ways in which writers engaged with new forms of social responsibility in their work, as Britain transformed into the world's first industrial economy Offers a fresh perspective on the work of both major figures and some of the era’s less familiar authors Winner of a Choice Outstanding Academic Title award, 2009
A Tale of Two Cities
First published in 1993. This annotated bibliography covers all material relating to A Tale o f Two Cities from Dickens’s first hints of it in his Book o f Memoranda to critical studies published in 1991. It is divided into three main parts: “Text,” “Studies,” and “Selected Bibliography.”
John Forster, a Literary Life
This is the first substantial book about Forster's life. Drawing upon much unpublished material, Davies describes Forster's career as a man of letters and presents detailed studies of his many important friendships and professional activities. The author also breaks new ground in discussing Forster's work as a journalist, historian, and literary biographer. Contents: Part One: Early Life and Influential Friends. Newcastle to London. Leigh Hunt. Charles Lamb. Bulwer, Macready; Part Two: The Man of Letters I: The literary life. Literature's friend. Friendship's variations 1834-1855. Withdrawal and return; Part Three: Man of Letters II: Four Friendships. Robert Browning. Landor. Dickens. Carlyle; Part Four: Man of Letters III: Professional Concerns. Journalist. Historian. Literary biographer; Postscript; Bibliography (including Forster's mainly anonymous reviews)^R.
Discourses of Vision in Nineteenth-Century Britain
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.
Class Conflict in Charles Dickens' A Tale of Two Cities
When a French doctor is imprisoned for eighteen years, he is released and united with his daughter, whom he has never met. The story of their life in London, and the conflict between her husband and the people who imprisoned her father, bring back ghosts from the past. Charles Dickens' A Tale of Two Cities is known for its opening sentence, but the novel raises questions that explore income inequality, globalization, and the fate of civil rights when a government dissolves, topics we still grapple with today. This volume explores the life and work of Charles Dickens, focusing particularly on the theme of class conflict in the novel, and includes viewpoints on class conflict and income inequality in the present day, including the role that technology plays in increasing income inequality and class conflict, and the generational nature of class conflict.
God in the Street
In the fast changing culture of antebellum New York, writers of every stripe celebrated "the City" as a stage for the daily urban encounter between the familiar and the inexplicable. Probing into these richly varied texts, Hans Bergmann uncovers the innovations in writing that accompanied the new market society— the penny newspapers' grandiose boastings, the poetic catalogues of Walt Whitman, the sentimental realism of charity workers, the sensationalism of slum visitors, and the complex urban encounters of Herman Melville's fiction. The period in which New York, the city itself, became firmly established as a subject invented a literary form that attempts to capture the variety of the tee...
The Body Economic
The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put...
Charles Dickens's Bleak House
This guidebook examines Dickens' novel within its literary and cultural contexts providing an ideal orientation in the novel, its reception history and the critical material which surrounds it.
