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Borda's work is filled with nuance, personal connections and unexpected uses of imaging technology. --Galleries West A thought-provoking art book exploring changing landscapes through the pioneering work of Canadian photographer Sylvia Grace Borda. Sylvia Grace Borda made a substantial debut into new media and photo art when she launched Every Bus Stop in Surrey, BC. With this piece, Borda reclaimed California coastal conceptual photo strategies from the 1960s and used them to document a large Canadian city by its own transit system. This marked her entry into international recognition. Since then, Borda has undertaken epic projects to re-imagine urban spaces, from the New Towns of East Kilb...
The Midden' marks the end of a five-year multidisciplinary research initiative on ecology in contemporary art. In response to the current oil-dependent society, termed fossil modernity, it aims at imagining paths toward more livable futures. The book digs into a heap of material amassed by the art research project Frontiers in Retreat (frontierinretreat.org) ? involving 25 artists at residencies across Europe ? from 2013?18. Contributors from the fields of media studies, speculative fiction, philosophy and curatorial writing include Taru Elfving, Emmi Itäranta, Jenni Nurmenniemi, Jussi Parikka, Antti Salminen, and Tracey Warr.
Technical problems require technical solutions that are innovative, simple, cheap, robust and easy to maintain. This book lists 100 winning inventions in the first International Inventors Award competition, organized in Stockholm.
A stunning art book featuring twenty-three west coast artists and craftspeople who work in metal as their primary medium. Out of the Fire: Metalworkers along the Salish Sea is a breathtaking celebration of a diverse group of contemporary artists and artisans, who explore the creative possibilities of an ancient medium. From sculptors to farriers, forgers to blacksmiths, jewellers to metalsmiths, and weapons makers to welders, the twenty-three people featured in this book reflect the wide range of talent, skill, and ingenuity that exists on Canada's southwest coast. Miran Elbakyan captures movement and whimsicality in his Surrealist-inspired sculptures. Nycki Samuels earned the moniker "Tough...
Essays by Andrea Holzherr, Rupert Pfab, Timothy Persons and Ferdinand Protzman.
International Arbitration: Law and Practice (Third Edition) provides comprehensive and authoritative coverage of the basic principles and legal doctrines, and the practice, of international arbitration. The book contains a systematic, but concise, treatment of all aspects of the arbitral process, including international arbitration agreements, international arbitral proceedings and international arbitral awards. The Third Edition guides both students and practitioners through the entire arbitral process, beginning with drafting, enforcing and interpreting international arbitration agreements, to selecting arbitrators and conducting arbitral proceedings, to recognizing, enforcing and seeking ...
A major retrospective of one of Canada's most widely recognized contemporary artists. Over the past 25 years, Vancouver-based artist Ken Lum has developed a large body of work that includes painting, sculpture, performance and photography. He has exhibited throughout North America, Europe and Asia, and his awards include a Hnatyshyn Foundation Visual Arts Award. This richly illustrated volume is the first full-length book devoted to Ken Lum's work in more than nine years. In this time, his work has shifted to large permanent public installations, among them his fourth permanent public installation opening in 2010 in the Netherlands. Ken Lum accompanies a large-scale exhibition organized by the Vancouver Art Gallery that celebrates Lum's entire career and showcases aspects of his work-such as the mazes created for Documenta 11 and the Istanbul Biennal-that have never been seen before in North America. This book was published in partnership with the Vancouver Art Gallery.
This book is a sequel to Rural development : putting the last first (AL. 1719, BRN 32006). It explores methods and approaches of participatory rural appraisal (PRA), which, because of its wide application, should, according to the author, be changed to participatory learning and action (PLA).
James Pfaff?s work deals with the documentation and reconstruction of his own life and universe. Drawing on his photographic archive and personal journals, his expression is primarily through the medium of photography. He often later combines his images with the abstract form, paint, collage, and the written word in contemporary response. The series?Alex & Me? (1998)? in which the narrative of an American road trip undertaken by Pfaff together with a woman poetically plays out? can be considered as a point of departure. He writes:?The summer of?98 was slipping away as we made our way south. Asphalt and neon. Black coffee, cigarettes. Night-scented Louisiana.?