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Tief verborgen in verwunschenen Wäldern leben magische Wölfe, weben finstere Hexen mächtige Zauber und suchen mutige Recken nach Erlösung. Lausche dem Gesang der Sirenen, triff den König der Feen und tanze mit den Wesen der Anderswelt im Mondlicht. Doch achte auf deine Schritte. Denn wer sich in den Schatten dieser Welt verliert, bleibt auf ewig verschwunden. Eine märchenhafte Anthologie
"Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture? ‘Curate’ is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity o...
What do a feminist server, an art space located in a public park in North London, a so-called pirate library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art plays an important role in imagining and producing a real quite different from what is currently hegemonic, and that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects--drawn from what can loosely be called the (post)digital--that take up this challenge in different ways. What unites them, however, is that the...
Quinn Latimers arresting writings find expression in literature and theory as well as contemporary art and its history. Moving from Southern California to Europe, crossing geographies and genres, her texts record specters and realities of culture, migration and displacement, compounding the vagaries of rhetoric and poetics with those of personal history and criticism. Composed in the space between the page and live performance, Latimers recent essays and poems examine issues of genealogy and influence, the poverty and privilege of place, architectures relationship to language, and feminist economies of writing, reading and art making. Shifting between written language and live address, between the needs of the internal and the external voice, Like a Woman is refrain, litany and chorus. Latimer is a California-born poet and critic with writings and readings featured internationally including REDCAT, Los Angeles; Qalandiya International, Ramallah/Jerusalem, and Venice Architecture Biennale. Latimer is editor in chief of publications for dOCUMENTA (14) (2017).
What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms? Bioart invites us to explore artistic practices at the intersection of art, science and society. This rapidly evolving field utilises the tools of life sciences to examine the materiality of life; the collision of human and nonhuman. Microbiology, virtual reality and robotics cross disciplinary boundaries to engage with arts as artists and scientists work together to challenge the ways in which we understand and observe the world. This book offers a stimulating and provocative exploration into worlds emerging, seen through art as we don?t know it ? yet.0...
Anders reisen und dabei das Besondere entdecken: Mit den aktuellen Tipps aus den Michael-Müller-Reiseführern gestalten Sie Ihre Reise individuell, nachhaltig und sicher. "Die Toskana liegt nicht in Italien, sondern Italien liegt in der Toskana." Treffend hat Goethe in seiner "Italienischen Reise" das Sehnsuchtsziel vieler Urlauber beschrieben. Wenn Sie unseren Toskana-Reiseführer in der 20. Auflage mit 800 Seiten zur Hand nehmen, erliegen auch Sie sofort dem Zauber dieser norditalienischen Region. Verlagsgründer Michael Müller offenbart Ihnen die bezaubernde Natur, die vielfältigen Genussmöglichkeiten. Er lässt Sie teilhaben an seinem in vielen Jahren gesammelten Know-How. Anhand der...
Curators and thinkers about contemporary art consider how to engage audiences in creative forms of protest and advocacy. With the global rise of a politics of shock, driven by nationalist and authoritarian regimes, what paths to resistance and sites of sanctuary can cultural institutions offer? In this book, more than twenty of the world's leading curators and thinkers about contemporary art offer powerful case studies from their own work, along with historical and theoretical perspectives, that point the way for cultural producers everywhere to engage audiences in creative forms of protest and advocacy capable of confronting the fierce political challenges of today and tomorrow. Contributors Defne Ayas, Ute Meta Bauer, Nicolas Bourriaud, Carolyn Christov-Bakargiev, Joshua Decter, Clémentine Deliss, Irmgard Emmelhainz, Boris Groys, Hou Hanru, Pi Li, Maria Lind, Steven Henry Madoff, Antonia Majaca, Gabi Ngcobo, Hans Ulricht Obrist, Jack Persekian with Alison Ramer, María Belén Saéz de Ibarra, Terry Smith, Nato Thompson, Mick Wilson, Brian Kuan Wood, Tirdad Zolghadr
What happens when three girls like you and me are spirited away to another world where half-vampires, toad-headed teachers, and magic subjects at school are completely normal? The outcome is inevitable: sooner or later they will all end up in the fortress of Swampy Hollow, a school for children who are either magically untalented, poor, considered a threat, or otherwise lost. Life at this school is dangerous enough, but to make things worse, the evil Cruda that abducted the girls from our world wants to get hold of them. And it does not exactly help that there are also boys with dark secrets, who are just the type human girls like to fall in love with ...