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A Companion to the Anthropology of Religion presents a collection of original, ethnographically-informed essays that explore the variety of beliefs, practices, and religious experiences in the contemporary world and asks how to think about religion as a subject of anthropological inquiry. Presents a collection of original, ethnographically-informed essays exploring the wide variety of beliefs, practices, and religious experiences in the contemporary world Explores a broad range of topics including the ‘perspectivism’ debate, the rise of religious nationalism, reflections on religion and new media, religion and politics, and ideas of self and gender in relation to religious belief Includes examples drawn from different religious traditions and from several regions of the world Features newly-commissioned articles reflecting the most up-to-date research and critical thinking in the field, written by an international team of leading scholars Adds immeasurably to our understanding of the complex relationships between religion, culture, society, and the individual in today’s world
Forgetting about Spain’s civil war (1936–9) and subsequent dictatorship was long seen as a necessary safeguard for the democracy that emerged after General Francisco Franco’s death in 1975. Since the early 2000s, however, public discussion of historical memory has awakened efforts to remember this past through the personal testimonies of Spaniards who experienced it firsthand. Untold Stories expands accounts of twentieth-century Spain by presenting an ethnography of an ignored population: the impoverished men and women who fled Franco’s dictatorship in the 1960s, participating in a wave of labour migration to northern Europe. Now in their eighties, they were born around the time of t...
The sociology of art is now an established sub-discipline of sociology. But little work has been done to explore the implications not of society on art, but of art on the nature and principles of sociology itself. Vision and Society explores the ways in which art (here mainly understood as visual art) structures in fundamental ways the constitution of society, the relations between societies and the ways in which society and culture should be theorized. Building initially on an unfulfilled project by the French sociologist of art Nathalie Heinich to derive a sociology from art, this book pushes this idea in unconventional directions. Rethinking the relationships between the study of art and the study of sociology and anthropology, this book explores how this rethinking might impact sociological theory in general, and certain aspects of it in particular – especially the study of social movements, social change, the urban, the constitution of space and the ways in which human social relationships are mediated and expressed.
In this innovative, performative approach to the expressive culture of the Yaqui (Yoeme) peoples of the Sonora and Arizona borderlands, David Delgado Shorter provides an altogether fresh understanding of Yoeme worldviews. Based on extensive field study, Shorter's interpretation of the community's ceremonies and oral traditions as forms of "historical inscription" reveals new meanings of their legends of the Talking Tree, their narrative of myth-and-history known as the Testamento, their fabled deer dances, funerary rites, and church processions.
Marking the Land investigates how hunter-gatherers use physical landscape markers and environmental management to impose meaning on the spaces they occupy. The land is full of meaning for hunter-gatherers. Much of that meaning is inherent in natural phenomena, but some of it comes from modifications to the landscape that hunter-gatherers themselves make. Such alterations may be intentional or unintentional, temporary or permanent, and they can carry multiple layers of meaning, ranging from practical signs that provide guidance and information through to less direct indications of identity or abstract, highly symbolic signs of sacred or ceremonial significance. This volume investigates the conditions which determine the investment of time and effort in physical landscape marking by hunter-gatherers, and the factors which determine the extent to which these modifications are symbolically charged. Considering hunter-gatherer groups of varying sociocultural complexity and scale, Marking the Land provides a systematic consideration of this neglected aspect of hunter-gatherer adaptation and the varied environments within which they live.
The Argentine dictatorship of 1976 to 1983 set out to transform Argentine society. Employing every means at its disposal - including rampant violation of human rights, union busting, and regressive economic policies - the dictatorship aimed to create its own kind of order. Lindsay DuBois's The Politics of the Past explores the lasting impact of this authoritarian transformative project for the people who lived through it. DuBois's ethnography centres on José Ingenieros, a Buenos Aires neighbourhood founded in a massive squatter invasion in the early 1970s, and describes how the military government's actions largely subdued a politically engaged community. DuBois traces how state repression and community militancy are remembered in Joé Ingenieros and how the tangled and ambiguous legacies of the past continued to shape ordinary people's lives years after the collapse of the military regime. This rich and evocative study breaks new ground in its exploration of the complex relationships between identity, memory, class formation, neoliberalism, and state violence.
Based on more than a decade of ethnographic research, The Land of Weddings and Rain examines the components of the contemporary urban wedding in post-socialist Lithuania.
In The Secret Struggles of Kitigan Zibi Anishinabeg Leaders, Anny Morissette examines Kitigan Zibi Anishinabeg actors’ political resistance to the Canadian government amidst threats to the tribe’s traditional political structures. Morissette traces the Anishinabeg political identity through the preservation of traditional, spiritual, and symbolic influences, which have endured despite colonial disruptions. Morissette highlights daily forms of resistance, Indigenous narratives, and tactics of political power from the margins, demonstrating how Anishinabeg actors continue to defy political oppression.
In dreams, part of the self seems to wander off to undertake both mundane tasks and marvellous adventures. Anthropologists have found that many peoples take this experience of dreaming at face value, assuming that their spirits literally leave the body to travel, meet other spirits, and acquire valuable knowledge - with dramatic consequence for relationships, social organization, and religions. Dream Travellers is about Melanesian, Aboriginal Australian, and Indonesian peoples who hold this assumption. Several leading anthropologists contribute theoretically and ethnographically rich chapters, showing that attention to these peoples' dream lives deeply enhances our understanding of their cultures and waking lives as well.
This book addresses the intersections between the interdisciplinary realms of Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates the multi-layered, polyvocal ways in which artistic expressions render ecological connections, drawing on scholars working in collaboration with Indigenous artists from all walks of life, including film, literature, performance, and other forms of multimedia to expand existing conversations. Both local and global in its focus, the volume includes essays from multiethnic and Indigenous communities across the world, visiting topics such as ...