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Drawing on the poetry of four major voices in the Spanish lyric of today, Judith Nantell explores the epistemic works of Luis Muñoz, Abraham Gragera, Josep M. Rodríguez, and Ada Salas, arguing that, for them, the poem is the fundamental means of exploring the nature of both knowledge and poetry. In this first interpretive analysis of the epistemic nature of their poetry, Nantell innovatively engages these poets, each of whom has contributed one of their own poems along with a previously unpublished explication of their chosen poem. Each also provides an original biographical sketch to support Nantell’s development of a poetics of epiphany. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
In a country where the richness of diverse cultures is often overshadowed by historical conflicts, this book delves into the complex relationship between the so-called “center” and “periphery” within Spain’s borders. Traditionally, the center has symbolized Castilian identity, while the periphery encompassed other regional cultures. But in today’s rapidly evolving social landscape, what do these terms really mean? This groundbreaking work reexamines the “center vs. periphery” paradigm through the lens of contemporary Spanish literature, cinema, and media. It poses critical questions about the existence and nature of a unified Spanish identity and investigates whether the tens...
In addition to a substantial introduction to the life and works of Federico García Lorca—avant-garde poet, playwright, and soul of Spain's "Generation of '27"—this collection features vibrant new English translations of four of his plays. The legacy of a dramatic, religious, and social iconoclast whose death made him a martyr of the left in Civil-War Spain and who today is embraced as a gay icon shines through in Michael Kidd's stage-worthy renderings of Yerma, Blood Wedding, The House of Bernarda Alba, and a more experimental play, The Audience, a kaleidoscopic exploration of sexual identity and theater.
This book revisits the claim that a key dimension of cultural modernity – understood as a turn to the autonomy of the signs and the erasure of the 'face of man' - arose in the mid-nineteenth century. It presents an alternative to that obsession, focusing instead on the aesthetic appreciation of forms through which connections are realised across place and time. The book is one of few to offer a comparative approach to numerous major writers and artists of this period over diverse countries. Specifically, the comparative approach overcomes the constitutively ambiguous relation between the modern and the Hispanic. The Hispanic is often imagined as at once foundational for and excluded from the modern world. Its reincorporation into the story of the mid-century unsettles the notion of modernity. The book offers instead an experiment in writing, tracing commonalities across place and time, and drawing on mid-century expressions of such likenesses.
La presente investigación hace un recorrido por todos los poemarios de José Hierro (Madrid, 1922-2002) para investigar las claves de su construcción emblemática y arquetípica. Mediante una metodología fundamentalmente cualitativa, de análisis de contenido, reforzada con la ayuda de instrumentos de análisis cuantitativo de documentos de texto a partir de los porcentajes de ocurrencias léxicas, se descubre e interpreta una evolución muy marcada que separa sus libros en dos grandes etapas. El estudio aporta las claves formales y significativas de cada tipología simbólica, concretamente emblemas y arquetipos, consiguiendo una explicación completa y coherente de la obra hierriana, en la medida en que la construcción simbólica constituye la estructura básica sobre la que se fundamenta la cosmovisión de todo autor o autora, cuanto más ya cumplido su centenario, y siendo que en este caso se trata de una producción literaria fundamental para entender parte de la poesía española del siglo pasado.
Taking a new global approach, this unique book provides an updated review of the geology of Iberia and its continental margins from a geodynamic perspective. Owing to its location close to successive plate margins, Iberia has played a pivotal role in the geodynamic evolution of the Gondwanan, Rheic, Pangea, Tethys s.l. and Eurasian plates over the last 600 Ma of Earth's history. The geological record starts with the amalgamation of Gondwana in the Neoproterozoic succeeded by the rifting and spreading of the Rheic ocean; its demise, which led to the amalgamation of Pangea in the late Paleozoic; the rifting and spreading of several arms of the Neotethys ocean in the Mesozoic Era and their ongoing closure, which was responsible for the Alpine orogeny. The significant advances in the last 20 years have attracted international research interest in the geology of the Iberian Peninsula. This volume presents the most comprehensive, careful and updated description of the variscan cycle in Iberia. This volume focuses in the different geological events since the Cambrian-Early Ordovician rift until the late variscan orocline formations including magmatic and metamorphic evolution.
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