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Em um cenário marcado pela interseção entre polÃticas públicas e gestão educacional, este livro emerge como um aprofundado estudo de caso, desvelando a realidade da Gestão Escolar Democrática na jurisdição da Assessoria Pedagógica do MunicÃpio de Torixoréu/MT. Ancorado nos princÃpios da Lei n. 7.040/98/SEDUC/MT, o autor investiga a percepção dos membros dos Conselhos Escolares em quatro unidades da Região Araguaia. Por meio de uma abordagem qualitativa e questionários aplicados, a pesquisa revela uma complexa teia de desafios e êxitos na implementação da Gestão Escolar Democrática. Contrapondo a legislação especÃfica, o estudo evidencia lacunas na efetiva participaÃ...
Os textos reunidos nesta coletânea são um convite à reflexão sobre os principais dilemas do campo educacional nesses tempos de incertezas. A história, as polÃticas e a gestão educacional são analisadas em suas diferentes dimensões com um olhar sempre problematizador e atento à s perspectivas de transformação da realidade.
This book is for people who have done some programming, either in Prolog or in a language other than Prolog, and who can find their way around a reference manual. The emphasis of this book is on a simplified and disciplined methodology for discerning the mathematical structures related to a problem, and then turning these structures into Prolog programs. This book is therefore not concerned about the particular features of the language nor about Prolog programming skills or techniques in general. A relatively pure subset of Prolog is used, which includes the 'cut', but no input/output, no assert/retract, no syntactic extensions such as if then-else and grammar rules, and hardly any built-in ...
Film festivals during the Cold War were fraught with the political and social tensions that dominated the world at the time. While film was becoming an increasingly powerful medium, the European festivals in particular established themselves as showcases for filmmakers and their perceptions of reality. At the same time, their prestigious, international character attracted the interest of states and private players. The history of these festivals thus sheds light not only on the films they made available to various publics, but on the cultural policies and political processes that informed their operations. Presenting new research by an international group of younger scholars, Cultural Transfer and Political Conflicts critically investigates postwar history in the context of film festivals reconstructing not only their social background and international dispensation, but also their centrality for cultural transfers between the East, the West and the South during the Cold War.
This collection explores the intersections between anthropology and film festival studies. Film and anthropology scholars map ethnographic film festivals and ethnographic approaches to festivals worldwide. The book provides a historical reconstruction of most of the main festivals exhibiting ethnographic film, considering the parallel evolution of programming and organisational practices across the globe. It also addresses the great value and challenges of ethnographic research tools for studying the wide-ranging field of film festivals. This volume is the first to collect long-term experiences of curating and exhibiting ethnographic film, as well as new approaches to the understanding of fi...
This volume comprises essays on the development of the New Latin American Cinema as a comparative national project.
This study of South American cinema offers a new way of approaching the variety of films available in the region. It brings to light the interconnectivity between state-run institutions (film councils, cinemateques, archives), altruistic bodies (film festival funds, NGOs) and commercial organisations (production companies, exhibitors and distributors). Examples of filmmakers, policy initiatives, funding sources and alternative film networks combine to produce a rich overview of one of the most significant sites for non-Western filmmaking in the twenty-first century. There is an awareness of the place South American cinema has on the international stage and, for this reason, the study involves an in depth look at the way film products are circulated within national boundaries and through external global circuits. Drawing on scholarship from studies on Latin American culture, cultural policy, indigeneity, digital technology, globalisation, transculturation and the public sphere, new links are traced between the various fields.