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Islamicate Occult Sciences in Theory and Practice
Islamicate Occult Sciences in Theory and Practice brings together the latest research on Islamic occult sciences from a variety of disciplinary perspectives, namely intellectual history, manuscript studies and material culture. Its aim is not only to showcase the range of pioneering work that is currently being done in these areas, but also to provide a model for closer interaction amongst the disciplines constituting this burgeoning field of study. Furthermore, the book provides the rare opportunity to bridge the gap on an institutional level by bringing the academic and curatorial spheres into dialogue. Contributors include: Charles Burnett, Jean-Charles Coulon, Maryam Ekhtiar, Noah Gardiner, Christiane Gruber, Bink Hallum, Francesca Leoni, Matthew Melvin-Koushki, Michael Noble, Rachel Parikh, Liana Saif, Maria Subtelny, Farouk Yahya, and Travis Zadeh.
The Neglected Dimension
The Neglected Dimension offers an insight into a moment in Southeast Asian modern art when a group of artists from the city of Bandung, Indonesia reimagined Arabic calligraphic writing. At the heart of this effort was an art school at Institut Teknologi Bandung (ITB), which stood at the forefront of experimentations with forms of Islamic spirituality and abstraction. Four artists are featured in this exhibition: Ahmad Sadali (1924–1987), A.D. Pirous (b. 1932), Haryadi Suadi (1938–2016) and Arahmaiani (b. 1962). They represent three generations of artistic training at ITB, as well as distinct approaches to calligraphic abstraction that reflect changing values, identities and conventions in Indonesia from the 1970s to the present. Together, their works highlight how they interacted with global conventions in modern art, evolving ideas around Islamic spirituality, feminist activism and the experience of being Muslim in Indonesia.
The Islamic Traditions of Cirebon
This work deals with the socio-religious traditions of the Javanese Muslims living in Cirebon, a region on the north coast in the eastern part of West Java. It examines a wide range of popular traditional religious beliefs and practices. The diverse manifestations of these traditions are considered in an analysis of the belief system, mythology, cosmology and ritual practices in Cirebon. In addition, particular attention is directed to the formal and informal institutionalised transmission of all these traditions
The Encoded Cirebon Mask
In The Encoded Cirebon Mask: Materiality, Flow, and Meaning along Java’s Islamic Northwest Coast, Laurie Margot Ross situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask’s trajectory from a popular entertainment in Cirebon—once a portal of global exchange—to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia.
Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World
Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World: A Multilingual Bibliography provides a multidisciplinary guide to publications on this great navigator’s activities and their impact on Chinese and world history. Admiral Zheng He commanded the fifteenth-century world’s largest fleet. In the course of seven voyages made between 1405 and 1433, his massive ships visited over thirty present-day countries in Asia and Africa. Those voyages reflected and reinforced the development of complex networks of trade, migration, cultural exchange, and political interactions between China and the Indian Ocean world. This bibliography lists sources in thirteen languages, including both scholarly studies and popular works like Gavin Menzies’s controversial bestsellers claiming the Chinese sailed around the world before Columbus. Relevant translations, transliterations and annotations are provided to aid the reader.
Cheng Ho and Islam in Southeast Asia
Tan Ta Sen has modestly suggested that, as a book to illustrate the peaceful impact of culture contact, he is concerned to show how such cultural influences not only led to transmissions, conversions and transferences involving Inner Asian Muslims from China and Yunnan Muslims, Chams, Javanese, Malays, Arabs and Indians, but also enabled many Chinese in the Malay world to retain their non-Muslim cultural traits. In placing Cheng Ho's voyages in this context, the author offers a fresh perspective on a momentous set of events in Chinese maritime history. Professor Wang Gungwu, National University of Singapore.Tan Ta Sen's book on Cheng Ho and Islam in Southeast Asia is not the first one on the...
Climates. Habitats. Environments.
Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse...
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Performance, Popular Culture, and Piety in Muslim Southeast Asia
The Muslim-majority nations of Malaysia and Indonesia are known for their extraordinary arts and Islamic revival movements. This collection provides an extensive view of dance, music, television series, and film in rural, urban, and mass-mediated contexts and how pious Islamic discourses are encoded and embodied in these public cultural forms.
