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Krishna
In the West, Krishna is primarily known as the speaker of the Bhagavad Gita. But it is the stories of Krishna's childhood and his later exploits that have provided some of the most important and widespread sources of religious narrative in the Hindu religious landscape. This volume brings together new translations of representative samples of Krishna religious literature from a variety of genres - classical, popular, sectarian, poetic, literary, and philosophical.
Krishna
A retelling of the story of Krishna, drawing from the puranas, folk tales and legends. Krishna means the dark one; it also means the one who attracts us to him. Divine, at the same time endearingly human, Krishna is at once the beloved child, the stealer of hearts, the loyal friend, the astute stalesman, the king, the valiant hero. This retelling in by Shanta Rameshwar Rao is simple enough to be understood by young readers, and evocative and thought provoking enough for adults. The author tells the story in such a way that we are both moved and charmed. There is a sense of the Divine here, at the same time, the retelling makes it very relevant to contemporary life. The book includes 16 paintings by the celebrated artist Bulbul Sharma. The line drawings are derived from the Sanjhi motifs of Vraj.
Krishna: The Man and His Philosophy
Krishna is utterly incomparable, he is so unique. Firstly, his uniqueness lies in the fact that although Krishna happened in the ancient past he belongs to the future, is really of the future. Man has yet to grow to that height where he can be a contemporary of Krishna’s. He is still beyond man’s understanding; he continues to puzzle and battle us. Only in some future time will we be able to understand him and appreciate his virtues. And there are good reasons for it.
Radhakrishna
Based On The Tenets Of Gaudiya Vaishnavism, The Play Depicts RadhaýS Simple Bhakti Growing Into Mahabhava Its Highest Culmination Usually Associated With Only Radha By Vaishnava Scholars. Panuganti Was Inspired To Write This Play By Ashutosh MukherjiýS Lord Gauranga.
Krishna-The God Who Lived As Man
The river was in high tide and the footprints of the Yadavas were more or less washed away. Big waves came rushing to the shore and wiped away some more footprints Suddenly Rukmini discovered a familiar footprint and sat beside it . Her eyes brimmed over with tears . These were the footprints her hair locks drooped over when she knelt at her Lord's feet every morning . These were the footprints she worshipped with chandan . the footprints of her Lord of Sri Krishna ! They were deeply immersed in the sand. the impression engraved in the sand was filled with water. Rukmini's streaming tears were making an offering in the water-filled footprints. Daruk arrived and stood beside her . He looked startled. He could not believe how the footprints filled to the brim with water could contain Rukmini's tears without spilling over. What was further surprising was that not a single tear had dropped out of the carved footprint .
Singing Krishna
Singing Krishna introduces Paramānand, one of north India's greatest medieval poet-saints, whose poetry has been sung from the sixteenth century to the present in ritual service to the Hindu deity Krishna. A. Whitney Sanford examines how hearing Paramānand's poetry in ritual context serves as a threshold for devotees between this world and Krishna's divine world. To "see Krishna" is a primary goal of the devotee, and Paramānand deftly constructs a vision through words. Sanford employs the dual strategies of interpreting Paramānand's poems—which sing the cycles of Krishna's activities—and illustrating the importance of their ritual contexts. This approach offers insight into the nature of the devotional experience that is not accessible by simply studying the poetry or rituals in isolation. Sanford shows that the significance of Paramānand's poetry lies not only in its beauty and historical importance but finally in its capacity to permit the devotee to see through the ephemeral world into Krishna's world.
Krishna, The Butter Thief
The author traces the development of the theme of Krishna as butter thief from its earliest appearance in literature and art until the present. He focuses on the dramas (ras lilas) of Krishna's native Braj and on the Sur Sagar, a collection of verse attributed to the sixteenth-century poet Sur Das that is as familiar to Hindi speakers as Mother Goose is to us. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Essence of My Mother
I have encapsulated all my experiences until now into words in this book called 'The Essence of My Mother'. In this book, I have included a touch of AI and completed it. I have tried to spread 'The Essence Of My Mother' by squeezing out all my feelings. This book will open the doors of all ideologies. It should not be viewed through the lens of only one religion, caste or creed. It should be viewed as universal in nature. Only then will it show what this book wants to reveal. If you have infinite problems and you want to get rid of them, then read this book once and you will find the solution.
Dynamic Stochastic Models from Empirical Data
Dynamic Stochastic Models from Empirical Data
