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Ethnos and citizens : versions of cultural-political construction of identity -- Reconciliation of the spirits and fusion of the interests : "Ottomanism" as an identity politics / Alexander Vezenkov -- The people incorporated : constructions of the nation in transylvanian romanian liberalism, 1838-1848 / Kinga-Koretta Sata -- We, the Macedonians : the paths of macedonian supra-nationalism (1878-1912) / Tchavdar Marinov -- History and character : visions of national peculiarity in the romanian political discourse of the nineteenth-century / Balázs Trencsényi -- Nationalization of sciences and the definitions of the folk -- Barbarians, civilized people and Bulgarians : definition of identity...
The editors of this volume have combined their expertise in discourse, contradiction, minority and diversity studies to suggest a change of perspective from categorisations into societal minorities and majorities towards an analysis of marginalising and centralising discourses. For this purpose, we have gathered interdisciplinary-minded authors from linguistics, literary and religious studies, political and historical sciences. Their contributions focus on contradictions of religious and national belonging as well as intersections of religion and nation in many different regions of the world from the 18th century until today. While illustrating the diversity and contradictions of religious and national belonging across time and space, the chapters of the book contribute to an understanding of the dynamics of questions of belonging and the associated constant renegotiations of power within these discursive processes.
A könyv Salamon Ferenc, 19. századi irodalomkritikus, színikritikus, történetíró szakmai életútjának vizsgálatával az irodalomtudomány 19. századi professzionalizációjának bizonyos aspektusait vizsgálja, ezen túl Salamon korának magyar irodalmában betöltött szerepét értelmezi, ehhez kapcsolódóan pedig azt, hogy Salamon az irodalom 19. század középi modernizációs átalakulásának, a modern szakmai identitás kanonizációjának időszakában hogyan értelmezi önmaga számára ezt a folyamatot, hogyan igyekszik azt domesztikálni, valamint milyen eszközöket használ annak érdekében, hogy saját pályájának jelentéseit összhangba hozza ezzel a folyamatt...
This book investigates the notion of silence as both an oppressing instrument and a powerful tool of resistance under the lenses and practices of cultural production. Taking a transdisciplinary and transcultural approach to the study of creative and cultural practices, the chapters ask how cultural production is dealing with surges of oppressive regimes, censorship, and fake news, and which cultural processes are implied in silencing as well in giving voice to, in erasing, and in producing small and grand narratives. The book reaches beyond dominant instrumental views of contemporary cultural practice to understand culture not only as an expedient to conduct social policy but also as a diagnostic tool and a vernacular space of giving voice to the many small narratives that make the world we live in. Offering an introduction to an underrepresented area of cultural studies, this truly interdisciplinary volume will be of interest to scholars of cultural studies, cultural history, media studies, politics, visual studies, communication studies, history, and literature.
This book is the first concentrated effort to explore the most recent chapter of East Central European past from the perspective of intellectual history. Post-socialism can be understood both as a period of scarcity and preponderance of ideas, the dramatic eclipsing of the dissident legacy?as well as the older political traditions?and the rise of technocratic and post-political governance. This book, grounded in empirical research sensitive to local contexts, proposes instead a history of adaptations, entanglements, and unintended consequences. In order to enable and invite comparison, the volume is structured around major domains of political thought, some of them generic (liberalism, conservatism, the Left), others (populism and politics of history) deemed typical for post-socialism. However, as shown by the authors, the generic often turns out to be heavily dependent on its immediate setting, and the typical resonates with processes that are anything but vernacular.
In National Poets, Cultural Saints Marijan Dović and Jón Karl Helgason explore the ways in which certain artists, writers, and poets in Europe have become major figures of cultural memory, emulating the symbolic role formerly played by state rulers and religious saints. The authors develop the concept of cultural sainthood in the context of nationalism as a form of invisible religion, identify major shifts in canonization practices from antiquity to the nationally-motivated commemoration of the nineteenth century, and explore the afterlives of two national poets, Slovenia's France Prešeren and Iceland's Jónas Hallgrímsson. The book presents a useful analytical model of canonization for further studies on cultural sainthood and opens up fruitful perspectives for the understanding of national movements.
The much-anticipated finale to Amie Kaufman's epic middle-grade trilogy Though Anders and his friends have delayed a war between the ice wolves and scorch dragons, their mission isn't over. With adults on both sides looking for them, they've sought refuge in Cloudhaven, a forbidden stronghold created by the first dragonsmiths. The ancient text covering Cloudhaven's walls could be the key to saving their home -- if only the young elementals could decipher it. To make matters worse, Holbard is in ruins and its citizens are reeling. Many have been forced into bleak camps outside the city, and food is running short. To rebuild Vallen, Anders, Rayna, and their allies must find a way to unite huma...
This volume collects the interventions of the post-doctoral fellows and PhD students of the University of Cluj Napoca, the University of Bucharest and the University of Florence (Mediterranean Cultures; Doctoral School of Comparative Languages, Literatures and Cultures, specialisation in Language, Literature, Philology: Intercultural Perspectives) presented in occasion of the seminar Storia, identità e canoni letterari (“History, identity and literary canons”, Florence, 22-23 November 2011). The contributions are centred on the idea of canon, as a cultural construct founding modern national identities. Another trace is the literary and cultural hybridisations between different geographies. For the Romanian context, the contributions pay particular attention to the movements of the avant-garde of the early 1900s. Some contributions account for the most problematic aspects of the contemporary world using interdisciplinary approaches.