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Samson Young: Real Music
Virtual instruments, muted performances and video and sound installations by Chinese artist Samson Young Surveying works by acclaimed Hong Kong-based sound and installation artist Samson Young (born 1979), this catalog provides an overview of Young's practice to date--including a newly commissioned work in which he composes music for instruments that could never exist--alongside essays.
Rosemarie Trockel
Edited by Anita Haldemann, Christoph Schreier. Text by Gregory Williams, Brigid Doherty.
British Art Show 8
Exhibition catalogue. Curators Anna Colin & Lydia Yee have chosen 42 contemporary artists for this years touring exhibition. The exhibition will tour Leeds Art Gallery, the Scottish National Gallery of Modern Art (Edinburgh), Norwich University of the Arts and Norwich Castle Museum and Art Gallery, as well as the John Hansard Gallery (University of Southampton) and the Southampton City Art Gallery between October 2015 and January 2017.
Luc Tuymans
This book, published in conjunction with an exhibition at Edinburgh’s Talbot Rice Gallery, features the Belgian artist’s most recent work. Here, his fascination with Scottish light and its thinkers, who believed in the perfectibility of man, becomes apparent. Inspired by a visit to the art collection of the University of Edinburgh, Tuymans realised three small portraits of Scottish philosophers. Besides the theme of light, the notion of impending horror also plays a role in a monumental dark work, ‘The Shore’, which refers to Goya, and in the portrait of Issei Sagawa, a cannibalistic murderer. Includes a short story by British author Will Self and an essay by art historian Collin Chinnery. 00Exhibition: Talbot Rice Gallery, Edinburgh, UK (31.10-19.12.2015)
Much Obliged
This book is called Much Obliged for two reasons. The first is that it is what Stephen’s dad says when he has been served in shops. The second is because Stephen has noticed that he only does things to stop himself letting people down. Joe Brainard’s I Remember is the inspiration for Stephen Sutcliffe’s similarly constructed assemblage of loosely connected reminiscences, each containing a reference to ‘Stephen’. John Ashbery described Brainard’s writing as ‘humane smut’, and, drawing on the comedy of childhood, experience of work, and school friends, as well as family snapshots and Stephen’s own collages, Much Obliged finds a similar tone, firmly rooted in class, the challenge to authority, self-doubt and self-deprecation.--Book Works website.
Art of the Byzantine Era
"Useful ... convenient ... authoritative."--The Times Educational Supplement
Carol Rhodes
This volume contains two illuminating essays, one by the renowned art critic Tom Lubbock and the other by artist and writer Merlin James.
Views of Gaia
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