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A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist's pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions o...
Accompanying his first major UK exhibition in a decade, this unique publication focuses on five works by the American conceptual artist Mark Dion. Since the late 1980s Dion (b. 1961, Massachusetts) has been delving into the tropes and research methods of scientists, explorers, museum curators and archaeologists. He has created a body of work that playfully presents art as scientific enquiry or field work, questioning how knowledge is gathered, classified and displayed. Five installations will be displayed at Whitechapel Gallery: a scholar's study invites us to unravel intricate drawings and models; the Bureau for the Centre of the Study for Surrealism and its Legacy displays the strange magi...
This text explores the work of vanguard artist Mark Dion who has made site-specific projects all over the world which explore the relationship of Western art, literature and museology with the natural environment. His sculptures and installations often focus on contemporary environmental issues, and have the uncanny quality of film sets or dioramas. His life-size environments have included live and stuffed animals, plants, lab equipment, and museological displays of garbage. They present lyrical and funny investigations into exoticism, colonialism and environmental crisis.
In this dazzling expeditionary volume, Mark Dion investigates the layered history of the Lone Star State.
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This volume presents Mark Dion's most recent work, which largely comprises the digs he has been concerned with in Italy, Switzerland, and London (including the Tate Thames Dig Beachcombing on London's Foreshore). The book provides a preface to each of these projects by the artist, and showcases much of his previously unpublished work. In addition, a text by Alex Coles frames Dion's current projects. Further texts from the diverse lecture programme currently taking place at the Tate Gallery in conjunction with Tate Thames Dig elucidate the artist's work.
Artwork by Mark Dion. Contributions by Brie Edwards. Text by Richard Klein.
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Mark Dion has combed through the archives of world-famous institutions in order to question traditional classification systems, with which objects from all around the world are collected and presented.The artist transforms supposedly prescribed classifications and puts historical collection contexts up for discussion, by re-ordering the collection