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Examine the infinite variety of charms and fetishes found in every civilization, from the distant past to the present. Learn the entire history of these tools, their geography, how they are part of each man and woman's search for connection with spiritual forces, and how to make and use them. Loaded with hundreds of illustrations, this is the ultimate reference guide.
Nonfiction. Literary History & Criticism. Poetics. This long-awaited history of contemporary American poetry, Talisman Nos. 23-26, is more than 700 pages long. This special volume surveys major developments in avant-garde American poetry from 1970 to the present. THE WORLD IN TIME AND SPACE includes contributions by major critics and poets including Bruce Andrews, Daniel Barbiero, Christopher Beach, Michael Boughn, Peter Bushyeager, David Clippinger, Michel Delville, Brent Edwards, Steve Evans, Dan Featherston, Thomas Fink, Norman Finkelstein, Alan Golding, Jeanne Heuving, W. Scott Howard, Andrew Joron, Burt Kimmelman, David Landrey, Kathryne V. Lindberg, Stephen-Paul Martin, Stephen Paul Miller, Aldon Lynn Nielsen, Alice Notley, Peter O'Leary, Marjorie Perloff, Linda Russo, Standard Schaefer, Julie Schmid, Susan M. Schultz, Leonard Schwartz, Mark Scroggins, Mary Margaret Sloan, Gustaf Sobin, Brian Kim Stefans, Susan Vanderborg, and the editors, Joseph Donahue and Edward Foster.
"This is an utterly compelling, harrowing and masterfully written body of poetry. Its publication is a major literary event". -- The Los Angeles Times Book Review
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Poetry. "TERRA LUCIDA, Joseph Donahue's ongoing magnum opus, is an astonishing work in which psychopompic dispatch and apocalyptic portent, by turns audacious and distraught, mix worldly exactitude with vatic unrest. Striking in its range and compression, its culling of contemporary grist and archaic light, its reportorial tone's melodic reach, it allies an unforced, unforeclosed spirituality with sifting intelligence of the severest kind. Long awaited, volume one is a beautiful, bracing, desert island book." Nathaniel Mackey"
Poetry. "If capitalism is the infection that normalizes and perpetuates all the greed and violence endemic to human creatures (and, of course, it is), in his new book Norman Fischer provides us with a gorgeous inoculation. In a capacious voice that is part every person, part guide and caregiver, part trickster, Fischer leads us through an exhibit of the American psyche at its most beautifully/terribly/complicatedly human. Blake asks us to see a world in a grain of sand; Fischer, in language as precise and relentless as his courage, asks us to expand each nanosecond into an infinity. With tenderness and care, irony and sincerity, Fischer leads us from surprise to surprise through a vastness of recursion, digression, re-vision, doubt, and wisdom. This is an exquisite book from one of the great and lasting gifts of contemporary poetry."--Donna de la Perriere
An important volume, admirable translated. ... There are no discernable rough spots, no inconsistencies, and the word choices are fresh without being contrived. Hopefully, this book is the harbinger of a trend, and readers can look forward to more English translations of Batur's poetry. --Time Out Istanbul.
Poetry. Andrew Zawacki's third book explores the dynamics of one and of none: being and nothingness, binary code, virtual flowers in a bulletproof vase, she loves me she loves me not. Inflected by an ecopoetics that lets the electro in, PETALS OF ZERO PETALS OF ONE consists of three concatenated tracks, sequenced in a low-tech echo chamber. Winner of the 1913 Prize, Georgia has been praised by Cole Swensen as a vibrant disaster that keeps us feeling falling, while Peter Gizzi calls it a high velocity tour-de-force. The central series, Arrow's shadow is a fractured ars poetica and an elegiac encounter with landscape and syllable, with pixelated forms and light. Storm, lustral choreographs an epileptic last dance along the ditch waters and wanderlust of the Dasein. This volume affirms Susan Howe's claim that Zawacki combines the disciplined perception of a naturalist with the inspired perception of a poet.
Poetry. "In the crazy wisdom of no coincedence, Joel Lewis's collection linked poem, LEARNING FROM NEW JERSEY hit the bed table along with Osip Mandelstam's '50 Poems'. Brothers in predilections, both poets have drawn from an ironic, loving regard for their cities. In Lewis's 'research expedition into/ an ordinary night," his poems draw from his long time legend garnering, epic harrowing, factlet-threshing observations of New Jersey territories. In these poems 'the white noise of secret radios' crackles amid the mysterious geography of 'Great Notch' and 'Ong's Hat.' LEARNING FROM NEW JERSEY is as energetic, faceted and textured as the place it evokes." Kimberly Lyons"