You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Both a refraction of the bombings of Hiroshima and Nagasaki and a protest against Western values, butoh is a form of Japanese dance theater that emerged in the aftermath of World War II. Sondra Fraleigh chronicles the growth of this provocative art form from its mid-century founding under a sign of darkness to its assimilation in the twenty-first century as a poignant performance medium with philosophical and political implications. Through highly descriptive, thoughtful, and emotional prose, Fraleigh traces the transformative alchemy of this metaphoric dance form by studying the international movement inspired by its aesthetic mixtures. While butoh has retained a special identity related to...
Dancing on the Fault Lines of History collects essential essays by Susan Manning, one of the founders of critical dance studies, recounting her career writing and rewriting the history of modern dance. Three sets of keywords—gender and sexuality, whiteness and Blackness, nationality and globalization—illuminate modern dance histories from multiple angles, coming together in varied combinations, shifting positions from foreground to background. Among the many artists discussed are Isadora Duncan, Vaslav Nijinsky, Ted Shawn, Helen Tamiris, Katherine Dunham, José Limón, Pina Bausch, Reggie Wilson, and Nelisiwe Xaba. Calling for a comparative and transnational historiography, Manning ends ...
This book uses original archival material to consider the theatrical and cultural innovations of Joan Littlewood and her company, 'Theatre Workshop'. Littlewood had a huge impact on the way theatre was generated, rehearsed and presented during the twentieth century. Now reissued, Joan Littlewood is the first book to combine: an overview of Littlewood's career in relation to the wider social, political and cultural context an exploration of Littlewood's theatrical influences, approach to actor's training, belief in the creative ensemble, attitude to text, rehearsal methods and use of improvisation a detailed case study of the origins, research, creative process and thinking behind Littlewood's most famous production, Oh What a Lovely War, and an assessment of its impact a series of practical exercises designed to capture and illustrate the key approaches Littlewood used in the rehearsal room. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performace Practitioners offer unbeatable value for today's student.
This book examines the professional identities of a highly influential group of English language teachers in Japan: Japanese university English teachers. It focuses on how relatively new teachers develop their professional identities, how gender impacts the professional identities of female professors, and how teaching practices and beliefs reflect personal and professional identity.
This book is a comprehensive study of the theatre work of Robert Wilson with some reference to his installations and design. The focus is Einstein on the Beach which marked the turning point in his career and from which began his reputation as a major international figure. He is as an American-European director who is also a performer, installation artist, writer, designer of light and much more. The book groups Wilson’s diverse output in an accessible manner and foregrounds his ‘visual book’, workshop and rehearsal methods, and collaborative procedures. It details his aesthetic principles and the elements of composition that distinguish his directorial approach, and provides insight into how they operate through practical exercise of benefit for students and practitioners.
What is theatre? What is performance? What connects them and how are they different? How have they been shaped by events, people, companies, practices and ideas in the twentieth and twenty-first centuries? And where are they heading next? The Routledge Companion to Theatre and Performance offers some answers to these big questions. This third edition has been updated to now include over 160 entries, with all entries brought up to date and new topics added, including Caryl Churchill, Black Lives Matter and Hamilton, among others. This book provides an accessible, informative and engaging introduction to important people and companies, events, concepts and practices that have defined the compl...
This book stages a timely discussion about the centrality of identity politics to theatre and performance studies. It acknowledges the important close relationship between the discourses and practices historically while maintaining that theatre and performance can enlighten ways of being with others that are not limited by conventional identitarian languages. The essays engage contemporary theatre and performance practices that pose challenging questions about identity, as well as subjectivity, relationality, and the politics of aesthetics, responding to neo-liberal constructions and exploitations of identity by seeking to discern, describe, or imagine a new political subject. Chapters by le...
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. One of the most important directors of her generation, and one of the only women ever to have attained great director status in France, Ariane Mnouchkine's work is in revolt against declamation and text-based theatre. A utopian humanist, attracting actors from almost forty different countries to her company, Le Theatre du Soleil, Mnouchkine nurtures a passionate following. This is the first book to combine: an overview of Mnouchkine's life, work and theatrical influences an exploration of her key ideas on theatre and the creative process analysis of key productions, including 1789 and Richard II. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.
This book examines Jacques Copeau, a leading figure in the development of twentieth-century theatre practice, a pioneer in actor-training, physical theatre and ensemble acting, and a key innovator in the movement to de-centralize theatre and culture to the regions. Noe reissued, Jacques Copeau combines: an overview of Copeau's life and work an analysis of his key ideas a detailed commentary of his 1917 production of Moliere's late farce Les Fourberies de Scapin – the opening performance of his influential New York season a series of practical exercises offering an introduction to Copeau's working methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.
Learn the five steps of land to water yoga: Standing and walking Kneeling and crawling Sitting Front lying Side lying and back floating While spending two months meditating and practicing yoga in silence at Sri Aurobindos first ashram in Baroda India, Sondra Fraleigh received her first inspirations about yoga based upon infant movement development and somatic principles. She consciously utilized this element in her creative use of yogabridging it with somatic movement education and intrinsic dancing. This unique new form of yogaLand to Water Yogamaintains yogas original intent of spiritual healing and awareness and offers a way to deepen clear seeing and a calm mind, urging one past his or h...