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Platform for Art
Featuring text by Alex Coles, and visually stunning reproductions of works by the participating artists, Platform for Art is the only comprehensive survey of what is one of Londons most important and thought-provoking art programmes.
The Roundel
Marking the 150th anniversary of the birth of London Underground, the first ever subterranean railway, The Roundel presents the company's famous logo rethought and refashioned by one hundred international artists. Artists as diverse as Jeremy Deller, Sir Peter Blake, Roger Hiorns, Cornelia Parker, Yinka Shonibare, Gavin Turk, Susan Hiller and Richard Wentworth offer their personal take on the familiar motif, in photography or paint, drawing or print, collage or sculpture, revealing in their own words what inspired their creation. They follow in the footsteps of the many influential artists over the years, from Man Ray to Eduardo Paolozzi, who have taken the Roundel as a subject for their art, reflecting London's importance as a capital city of culture. With an introductory essay by design writer Jonathan Glancey and illuminating texts that consider the works within the broader history of transport design and public art, this gem of a book will delight all lovers of London and transport fanatics, as well as those who follow the latest trends in art, design and corporate branding.
Labyrinth
London's underground railways are an expression of the spread and diversity of the most international of capitals. Indeed, for many Londoners, the subterranean network is the very essence of the city, its arteries carrying the pulse of urban life from the heart of the metropolis out to its farthest extremities and beyond. How to capture that breadth in one work of art? How to celebrate a single system while also reflecting the millions of lives that it transports every day? That was the challenge facing Turner Prize-winning artist Mark Wallinger. His response was to create a vast, permanent work of public art across the entire network, layered with rich cultural and historical references. In...
One Thing Leads to Another Everything is Connected
This title documents and celebrates the commissioned artworks along the Jubilee Line, intended to enhance the experience of travelling on the Tube.
Daniel Buren Underground
This book tells the story of the first permanent artwork, Diamonds and Circles, in the UK by the renowned artist Daniel Buren (born 1938), widely considered France's greatest living artist and one of the most significant contributors to the conceptual art movement. Commissioned by Art on the 'Underground', Buren has created a new permanent installation at Tottenham Court Road station in the center of London, famously the location of extensive 1980s mosaics by Eduardo Paolozzi. The artwork, which is set to be completed in late 2016, will become a major feature of the two new entrances and ticket hall of the redesigned station. A conversation between Buren and Tim Marlow walk the reader through the Tottenham Court Road installation and discuss it alongside his other public transport works, while a text by Hans Ulrich Obrist places the work in the context of Buren's wider practice since the 1960s. More than a rare monograph in English on one of the most influential international artists of recent decades, this volume also takes the reader on the fascinating journey from initial artistic concept through to realized physical form in the public realm.
The Surfing Yearbook
THE SURFING YEAR BOOK OFFERS the complete package of news, features, results, opinions, and photography, providing an insider's view of everything that matters in each of the world's surfing regions-Africa, Europe, Southeast Asia and Japan, South and Central America, United States, United Kingdom, and Australia. An extended Surfing Year Book awareness campaign is underway at Surfersvillage.com, the world's biggest surfing news Web site, with more than twenty-two million visitor sessions a year. Surfersvillage will also utilize its large family of publishing partners around the world to advertise the book's arrival in all surfing markets. With each regional section offering text in English an...
Central Line Series
Documents the ambitious programme of temporary commissions that took place along the London Underground's Central line from 2011 to 2012. Artworks featured take the theme of 'communication' as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
Public Space, Media Space
Public Space, Media Space asks how media saturation are transforming public space and our experience of it. From the role of graffiti and Youtube videos of street art in the Cairo revolution, to OOH (Out of Home) advertising, the book is diverse in its approach and global in its coverage.
Ideas Exchange
Das Londoner Architekturbüro Hawkins\Brown, 1988 von Roger Hawkins und Russell Brown gegründet, gehört zu den upcoming Büros der internationalen Architekturszene. Das Spektrum der Arbeiten reicht vom Wohnhaus und Interior Design über Bürobauten und verschiedene öffentliche Bauten wie Theater und Universitätsgebäude bis hin zum Urban Design wie Platzgestaltungen und U-Bahn-Stationen. Es gehört zum Selbstverständnis von Hawkins\Brown, im integrativen Prozess mit allen Akteuren zu einem optimalen Ergebnis zu kommen. Das Buch dokumentiert ca. 25 Bauten aus den letzten fünf Jahren. Zu den vorgestellten Projekten gehören die Tottenham Court Road Underground Station – mit 100.000 Fahrgästen am Tag eine der geschäftigsten U-Bahnstation Londons (Fertigstellung 2011), die Stratford Regional Station in London – eine Zugangsplattform für eine der Hauptaustragungsstätten der Olympischen Spiele (Fertigstellung 2010), Park Hill – das Masterplanning für ein Stadtviertel in Sheffield, UK, (Fertigstellung 2011) und der Dubai Arts Pavilion in den Vereinigten Arabischen Emiraten.
Helen Marten
Parrot Problems was Turner Prize nominated British artist Helen Marten's first institutional solo exhibition in Germany. Close to an artist book, 40 pages within the catalogue are designed by Helen Marten herself, featuring unique collages. In insightful and precise essays Diedrich Diederichsen and Johanna Burton focus on the 'artist of the hour', who through processes of manipulation, abstraction and shifting resembles recognisable elements anew; piercing the patina of familiarity covering the density and complexity of our everyday material lives. Frozen at full speed in vibration between two and three dimensions, the objects and images by Marten proliferate with models and motifs, which de...
