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Love Is Freedom
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Textology
Anthology of writing from RMIT's Associate Degree in Professional Writing and Editing.
Morgan's Woman (Loveswept)
Proud, iron-willed Tennessee widow Tamsin MacGreggor is wanted — dead or alive — for a crime she didn’t commit. But out West the law is shoot first, ask questions later. So she’s running for her life —with notoriously handsome bounty hunter Ash Morgan in hot pursuit. Tamsin is Morgan’s match, shrewd and strong enough to escape capture. Twice. But catching her now is more than Morgan’s duty — it’s personal. For somehow she has slipped past his defenses and stolen his well-guarded heart. A passionate affair erupts in the wilds of a harsh, unforgiving land where a bounty hunter must finish his job — and an innocent woman will do whatever it takes to save herself from a hangman’s noose.
9Tail Fox
A noir melding of ancient Chinese folklore, organised crime and cutting edge medical technology. A policeman is murdered in San Francisco. And spends the rest of the novel hunting down the man who did it. And trying to get the answer to some terrifying questions. Why is he in another man's body? Why is someone trying to kill him. Again. And why is he being haunted by a nine tailed Albino fox? From the shell-shattered streets of Stalingrad in 1942 to the back allys of San Francisco's chinatown, evocative of place, crystal clear in its depiction of character this is literary fantastic fiction at its most compelling from one of the most exciting writers working today.
The Secret Sanchez Heir
Synopsis coming soon.......
Yearbook of International Organizations
Edition for 1983/84- published in 3 vols.: vol. 1, Organization descriptions and index; vol. 2, International organization participation; vol. 3, Global action networks.
Report of the Clerk of the House from ...
Covers receipts and expenditures of appropriations and other funds.
Taming Romeo
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Love, Desire and Identity in the Theatre of Federico García Lorca
Physical desire and metaphysical love in the theatre of Federico García Lorca. A dialectical tension between physical desire and metaphysical love lies at the heart of the theatre works of Federico García Lorca, and the deployment of queer theory's critique of gender and identity is surprisingly effective inthis discussion of love versus desire. Seldom is enough attention paid to the poet's early works, and so this book offers a timely review of the 'religious tragedy' Cristo, as well as Mariana Pineda, uncoveringin these early offerings an explicit proposal of the supremacy of love over desire. A meditation on the fragmentary and challenging El público yields a vivid panorama of identity in crisis, and a paradigmatic Lorcan sacrifice of self for love. The ostensibly more conventional tragedies of Amor de Don Perlimplín con Belisa en su jardín and Yerma are also reassessed in terms of self-sacrifice and self-love. The study concludes with an argument for a practical re-reading of La casa de Bernarda Alba, which emphasises how the play might be saved from po-faced realism with music, humour and drag performance. PAUL McDERMID lectures in Spanish at Queen's University Belfast.
