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Index of Patents Issued from the United States Patent and Trademark Office
  • Language: en
  • Pages: 4402

Index of Patents Issued from the United States Patent and Trademark Office

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Banished!
  • Language: en
  • Pages: 265

Banished!

It is 1969 and China is in the throes of the Cultural Revolution. The Tao family is banished to the countryside, forced to leave comfortable lives in Nanjing to be reeducated in the true nature of the revolution by the peasants of Sanyu village. The parents face exile with stoicism and teach their son to embrace reeducation wholeheartedly. Is this simple pragmatism, an attempt to protect the boy and ensure his future? Or do the banished cadres really cling to their belief in their leaders and the ideals of the Revolution? These questions remain tantalizingly unanswered in this prize-winning first novel.

Tao Te Ching
  • Language: en

Tao Te Ching

  • Type: Book
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  • Published: 1972
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  • Publisher: Unknown

None

Chinese Aesthetics
  • Language: en
  • Pages: 376

Chinese Aesthetics

"This singular work presents the most comprehensive and nuanced study available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220-589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts." "Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and will be a welcome reference to anyone interested in ancient Chinese culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Spirit and Self in Medieval China
  • Language: en
  • Pages: 574

Spirit and Self in Medieval China

The Shih-shuo hsin-yu, conventionally translated as A New Account of Tales of the World, is one of the most significant works in the entire Chinese literary tradition. It established a genre (the Shih-shuo t'i) and inspired dozens of imitations from the later part of the Tang dynasty (618-907) to the early Republican era of the 20th century. The Shih-shuo hsin-yu consists of more than a thousand historical anecdotes about elite life in the late Han dynasty and the Wei-Chin period (about AD 150-420).

Patterns of Disengagement
  • Language: en
  • Pages: 324

Patterns of Disengagement

While the customary path to achievement in traditional China was through service to the state, from the earliest times certain individuals had been acclaimed for repudiating an official career. This book traces the formulation and portrayal of the practice of reclusion in China from the earliest times through the sixth century, by which time reclusion had taken on its enduring character. Those men who decided to withhold their service to state governance fit the dictum from the Book of Changes of a man who "does not serve a king or lord; he elevates in priority his own affairs." This characterization came to serve as a byword of individual and voluntary withdrawal, the image of the man whose...

Mainland China
  • Language: en
  • Pages: 776

Mainland China

  • Type: Book
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  • Published: 1968
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  • Publisher: Unknown

None

The Poetics of Appropriation
  • Language: en
  • Pages: 276

The Poetics of Appropriation

The poets of the Northern Song dynasty (960-1126) were writing after what was then and still is acknowledged to be the Golden Age of Chinese poetry, the Tang dynasty (618-907). This study examines how these Song poets responded to their uncomfortable proximity to such impressive predecessors and reveals how their response shaped their literary art. The author's focus is on the poetic theory and practice of the poet Huang Tingjian (1045-1105). This first full-length study in English of one of the most difficult and complex poets of the classical Chinese tradition aims to provide the background for understanding better why Huang was so greatly admired, especially by the outstanding literati of his age, and why later scholars claim Huang is the characteristic Northern Song poet. The author concludes by considering how Huang's literary project resembles, but ultimately differs from, Western literary theories of influence and intertextuality.

Encyclopedia of the Essay
  • Language: en
  • Pages: 1032

Encyclopedia of the Essay

  • Type: Book
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  • Published: 2012-10-12
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  • Publisher: Routledge

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies