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Chalk Circle
In 2007, award-winning editor Tara L. Masih put out a call for Intercultural Essays dealing with the subjects of "culture, race, and a sense of place." The prizewinners are gathered for the first time in a ground-breaking anthology that explores many facets of culture not previously found under one cover. The powerful, honest, thoughtful voices-Native American, African American, Asian, European, Jewish, White-speak daringly on topics not often discussed in the open, on subjects such as racism, war, self-identity, gender, societal expectations. Their words will entertain, illuminate, take you to distant lands, and spark important discussions about our humanity, our culture, and our place within society and the natural world.
My Real Name Is Hanna
Hanna Slivka is on the cusp of fourteen when Hitler's army crosses the border into Soviet-occupied Ukraine. Soon, the Gestapo closes in, determined to make the shtetele she lives in "free of Jews." Until the German occupation, Hanna spent her time exploring Kwasova with her younger siblings, admiring the drawings of the handsome Leon Stadnick, and helping her neighbor dye decorative pysanky eggs. But now she, Leon, and their families are forced to flee and hide in the forest outside their shtetele-and then in the dark caves beneath the rolling meadows, rumored to harbor evil spirits. Underground, they battle sickness and starvation, while the hunt continues above. When Hanna's father disappears, suddenly it's up to Hanna to find him-and to find a way to keep the rest of her family, and friends, alive. Sparse, resonant, and lyrical, weaving in tales of Jewish and Ukrainian folklore, My Real Name Is Hanna celebrates the sustaining bonds of family, the beauty of a helping hand, and the tenacity of the human spirit.
Where the Dog Star Never Glows
In this impressive debut collection, Tara Masih shows an intimate sense of understanding her characters' innermost feelings, creating a memorable map of diverse characters that span the globe and several eras. Ghosts dance, butterflies swarm, men crystallize, the sun disappears, and water plays a role in both destruction and repair of the soul. With an unflinching eye, a mythical awareness of the natural world, and poetic, crafted prose, Masih examines the dark recesses of the mind and heart, which often leads to a small or great triumph or illumination that will resonate long after the last page is turned.
How We Disappear
In How We Disappear, Tara Lynn Masih offers readers transporting and compelling stories of those taken, those missing, and those neither here nor gone-runaways, exiles, wanderers, ghosts, even the elusive Dame Agatha Christie. From the remote Siberian taiga to the harsh American frontier, from rural Long Island to postwar Belgium, Masih's characters are diverse in identity and circumstance, defying the burden of erasure by disappearing into or emerging from physical and emotional landscapes. Described as "masterful" and as "striking and resonant" (Publishers Weekly), Masih's fiction, crossing boundaries between historical and contemporary, sparks with awareness that nothing and no one is ever gone for good-and that the wilderness is never quite behind us.
Field Guide to Writing Flash Fiction
Literary Nonfiction. Literary Criticism and History. Reference. With its unprecedented gathering of 25 brief essays by experts in the field, THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH FICTION meets the growing need for a concise yet creative exploration of the re-emerging genre popularly known as flash fiction. The book's introduction provides, for the first time, a comprehensive history of the short short story, from its early roots and hitherto unknown early publications and appearances, to its current state and practice. This guide is a must for anyone in the field of short fiction who teaches, writes, and is interested in its genesis and practice.
Girls Think of Everything
Tells the story of how women throughout the ages have responded to situations confronting them in daily life by inventing such items as correction fluid, space helmets, and disposable diapers.
The Best Small Fictions 2017
Fiction. Short Stories. Flash Fiction. Hybrid Genre. THE BEST SMALL FICTIONS 2017 offers readers 55 exceptional small fictions by 53 authors. This acclaimed new annual series, hailed as a "milestone for the short story," continues to honor contemporary masters and emerging writers of short- short and hybrid forms from across the globe. Guest editor Amy Hempel chose the winners from a pool of 105 finalists: "They conjure and seduce, they startle and haunt, they are funny and searing, short and shorter." The 2017 volume includes Pamela Painter, Brian Doyle, Ian Seed, Frankie McMillan, Karen Brennan, Stuart Dybek, and W. Todd Kaneko, and spolights Joy Williams and SmokeLong Quarterly. Additiona...
The Diving Pool
Beautiful, twisted and brilliant - discover Yoko Ogawa. A lonely teenage girl falls in love with her foster-brother as she watches him leap from a high diving board into a pool - sparking an unspoken infatuation that draws out darker possibilities. A young woman records the daily moods of her pregnant sister in a diary, but rather than a story of growth the diary reveals a more sinister tale of greed and repulsion. Driven by nostalgia, a woman visits her old college dormitory on the outskirts of Tokyo. There she finds an isolated world shadowed by decay, haunted by absent students and the disturbing figure of the crippled caretaker.
Brevity & Echo
This collection of previously published short shorts by Emerson alumni celebrates the short short genre and the important role Emerson College's writing program has played in the history of that genre. The anthology features authors: Derrick Ableman, Joann Avallon, Rusty Barnes, Jane Berentson, Stace Budzko, Leslie Busler, Jennifer Carr, Keith Carter, Chip Cheek, Amy L. Clark, Kirsten Culbertson, Mark DeCarteret, Erin Dionne, Denise Duhamel, Elizabeth Kemper French, Lee Harrington, Jen Heller, Chris Helmuth, Steve Himmer, Brian Hinshaw, Jacqueline Holland, Amanda Holzer, Shannon Huffman, John F. Kersey, Laurel Dile King, Mariette Landry, Molly Lanzarotta, Don Lee, Matt Marinovich, Tara L. Masih, Melissa McCracken, Sheehan McGuirk, LaTanya McQueen, Maryanne O Hara, Janice O Leary, Josh Pahigian, Jennifer Pieroni, Robert Repino, Ashley Rice, Matt Rittenhouse, Joe Robb, Beth Anne Royer, Brian Ruuska, Mary Saliba, Nina R. Scheider, Kimberly Ann Southwick, R. S. Steinberg, Cam Terwilliger, Terry Thuemling, and Laura van den Berg, as well as an introduction by Ron Carlson and an afterword by Pamela Painter.
Kira-Kira
kira-kira (kee' ra kee' ra): glittering; shining Glittering. That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason. And so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop them on the street to stare. And it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow. But when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- kira-kira -- in the future. Luminous in its persistence of love and hope, Kira-Kira is Cynthia Kadohata's stunning debut in middle-grade fiction.
