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Searching for Shakespeare
Investigates the authenticity of the Chandos portrait and five others as true likenesses of playwright William Shakespeare, and explores Shakespeare's life and world, presenting and describing individual costumes, theater models, manuscripts, and maps from his time as well as portraits of his contemporaries.
Elizabeth I & Her People
The reign of Queen Elizabeth I, which spanned over forty years, was a time of economic stability, with outstanding successes in the fields of maritime exploration and defence. The period also saw a huge expansion in trade, the creation of new industries, a rise in social mobility, urban isation and the development of an extraordinary literary culture. Elizabeth I & Her People explores the stories of those individuals whose achievements brought about these changes in the context of an emerging national identity, as well as giving a fascina ting glimpse into their way of life through accessories and artefacts. The book, which accompanies a major exhibition at the National Portrait Gallery, Lon...
Citizen Portrait
For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility--not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Published for the Paul Mellon Centre for Studies in British Art
The Encounter
This book brings together fifty exquisite observational portrait drawings from the Renaissance and Baroque periods , including works by Leonardo da Vinci, D�rer, Holbein, Bernini, Carracci, Clouet , Rubens and Rembrandt . More than a record of the sitters ' appearance, these works capture a moment of connection between artist and sitter: an encounter.
A Guide to Tudor and Jacobean Portraits
This accessible and visually stunning guide puts Tudor and Jacobean portraits into historical context. Many of these important works are in museums and country houses across the UK, and this introductory guide invites the reader to look afresh and to understand why and how they were created.
Painting in Britain, 1500-1630
This overview answers key questions about the production and consumption of art in Britain in the 16th and early 17th century, integrating art history, history and conservation science. The illustrations allow the reader to engage directly and to see some of the most famous Tudor and Jacobean paintings in a new light.
National Portrait Gallery
"A national pantheon of the greatest names in British history and culture, the collections of the National Portrait Gallery contain more than 11,000 paintings, sculptures and works on paper and over a quarter of a million photographs. There are kings and queens, courtiers and courtesans, politicians and poets, soldiers and scientists, artists and writers, philosophers and film stars individuals from every sphere. This book presents a broad selection of the personalities that have shaped the last four centuries of British life, from Elizabeth I to David Beckham, from Shakespeare to Seamus Heaney, portrayed by artists as diverse as Hans Holbein, David Bailey, Joshua Reynolds and Paula Rego. Special features ... provide insights into particular areas of the Collection, and an introductory essay explains the history and purpose of this great public institution"--Publisher's description.
The Real Tudors
Who were the Tudor kings and queens and what did they really look like? Mention Henry VIII and the familiar image of the rotund, bearded fellow of Hans Holbein the Younger's portraits immediately springs to mind - reinforced, perhaps, by memories of a monochromatic Charles Laughton wielding a chicken leg in a fanciful biopic. With Elizabeth I it's frilly ruffs, white make-up and pink lips - in fact, just as she appears in a number of very well-known portraits held in the Collection of the National Portrait Gallery in London. But the familiarity of these representations has overshadowed the other images of the Tudor monarchs that were produced throughout their reigns. During the sixteenth cen...
Memory and the English Reformation
Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.
Imagined Lives
"Eight internationally acclaimed authors have invented imaginary biographies and character sketches based on fourteen unidentified portraits... in the collection of the National Portrait Gallery."--Back cover.
