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Poetry in Sagas of Icelanders
"Collected together in this volume are long poems and stanzas attributed to the characters who appear in sagas of Icelanders (family sagas), including such well known figures as Egill Skallagrimsson, Gisli Sursson and Grettir Asmundarson. The poetry from twenty-four complete sagas and four short tales are edited here, together with two texts from non-saga manuscripts, including the scurrilous Grettisfrsla, 'The Moving of Grettir'. The texts range chronologically from early poets' sagas to late and little known works from the later thirteenth and fourteenth centuries."
The Prosimetrum of the Íslendingasögur
Verse quotation is intrinsic to the literary style of the medieval Icelandic corpus of Íslendingasögur (sagas of Icelanders), one of the most important vernacular literary genres of the European Middle Ages. The essays collected in this volume demonstrate that the combination of prose and verse constitutes a distinctive literary aesthetic, and that in the medieval Icelandic literary tradition, it was not a question of choosing between prose and verse as the vehicle for stories about the foundational generations of settlers on the island, but of combining both modes to forge the unique literary form of the saga. Verse quotation has always been recognised as an important aspect of the Íslen...
The Recollections of Encolpius
While nineteenth-century scholars debated whether the fragmentary Satyrica of Petronius should be regarded as a traditional or an original work in ancient literary history, twentieth-century Petronian scholarship tended to take for granted that the author was a unique innovator and his work a synthetic composition with respect to genre. The consequence of this was an excessive emphasis on authorial intention as well as a focus on parts of the text taken out of the larger context, which has increased the already severe state of fragmentation in which today's reader finds the Satyrica. The present study offers a reading of the Satyrica as the mimetic performance of its fictional auctor Encolpi...
The Routledge Research Companion to the Medieval Icelandic Sagas
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
Old Norse Folklore
The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of thisfascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture. Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.
Rhapsody of Northern Art
Rhapsody of Northern Art presents fascinating artefacts produced between the late Bronze Age and the start of the Romanesque Period. Ancient objects from Northern Europe, exhibited in museums, are usually appreciated as documenting the past and reflecting its society. The people viewing these objects are able to become aware of skills and techniques that were applied many generations ago. However, a number of such objects should certainly be regarded more as works of fine art. Since the early 20th century, artists such as Duchamp have created “object art” and installations from contemporary artists often show art of a quality similar to that of some ancient Central and Northern European cultures. This book will serve to help and encourage readers to see and appreciate Bronze Age and early Medieval artefacts of Central and Northern Europe in the way they do works of art created by internationally well-known contemporary artists.
Poetry in Sagas of Icelanders
Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries. Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c. AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mostly in dróttkvætt "court metre", which comes to saga heroes' lips at moments of crisis. These presumed voices from the past...
Ideology and Power in the Viking and Middle Ages
Ideology and power are central elements in the political, social, religious and cultural development of the North during the transition from the Viking to the Middle Ages. While the medieval European Christian ideology of rulership has been widely discussed, an analysis of the Nordic pre-Christian ideology, and of its confrontation with the new European ideals has so far been lacking. This book examines the concepts and practices associated with chieftains, earls and kings from the ninth to the thirteenth century: the myths and rituals surrounding their position in a northern European warrior culture. The analysis seems to indicate that important elements of the pre-Christian ideology of rulership survived into the Christian Middle Ages, either transformed or even simply transferred. Contributors are Ian Beuermann, Anders Hultgård, Jan Erik Rekdal, Jens Peter Schjødt, Jón Viðar Sigurðsson, Joanna Skórzewska, Gro Steinsland and Olof Sundqvist.
Viking Worlds
Fourteen papers explore a variety of inter-disciplinary approaches to understanding the Viking past, both in Scandinavia and in the Viking diaspora. Contributions employ both traditional inter- or multi-disciplinarian perspectives such as using historical sources, Icelandic sagas and Eddic poetry and also specialised methodologies and/or empirical studies, place-name research, the history of religion and technological advancements, such as isotope analysis. Together these generate new insights into the technology, social organisation and mentality of the worlds of the Vikings. Geographically, contributions range from Iceland through Scandinavia to the Continent. Scandinavian, British and Con...
An Introduction to the Sagas of Icelanders
Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identit...
