You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In each of the eighteen 'chapters' that make up the work, the external forces of territory, power, circumstance or religion collide with the internal forces of psychological and physical inheritance. The subjects documented by Simon include feuding families in Brazil, victims of genocide in Bosnia, test rabbits infected with a lethal disease in Australia, the first woman to hijack an aircraft, and the living dead in India. Her collection is at once cohesive and arbitrary, mapping the relationships among chance, blood, and other components of fate. A Living Man Declared Dead and Other Chapters is divided into eighteen chapters. Each chapter is comprised of three segments: an annotation, a lar...
In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel's lead character. He found it to be perfectly "ordinary", "brief", "Anglo-Saxon" and "masculine". This co-opting of names was the first replacement in a series of substitutions that would become central to the construction of the Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon (*1975 in New York) inventoried women, weapons and vehicles in Bond. The contents of these categories function as essential accessories to the narrative's myth of the seductive, powerful, and invincible western male. In Birds of the West Indies, Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.Exhibition schedule: 2013 Carnegie International, Pittsburgh October 5, 2013-March 16, 2014
Taryn Simon?s 'The Color of a Flea?s Eye' presents a history of the New York Public Library?s Picture Collection?a legendary trove of more than one million prints, photographs, postcards, posters and images from disused books and periodicals. Since its inception in 1915, the Picture Collection has been a vital resource for writers, historians, artists, filmmakers, fashion designers and advertising agencies.0In her work 'The Picture Collection' (2012-20), Simon (born 1975) highlighted the impulse to organize visual information, and pointed to the invisible hands behind seemingly neutral systems of image gathering. Each of Simon?s photographs is made up of an array of images selected from a gi...
A fascinating glimpse into the New York Public Library's historic image archive
Catalog of 1,075 photographs, taken by American photographer Taryn Simon, of detained or seized items from passengers and express mail entering the United States from abroad, taken at the U.S. Customs and Border Protection Federal Inspection Site and the U.S. Postal Service International Mail Facility at John F. Kennedy International Airport, New York.
"Photographer Taryn Simon brings us face-to-face with individuals falsely accused and convicted. While mugshots and photo arrays are used to condemn and imprison these innocents, Simon has turned the camera around to document these victims of mistaken identity and perverted justice. Through Simon's interviews with each, the men and women in this book confront the paradox of innocence and imprisonment, the inability to recover the years stolen from them, and the states' unconscionable refusal to compensate them or ease their traumatic transition to civilian life."--BOOK JACKET.
In her monograph, 'An Occupation of Loss', artist Taryn Simon creates a detailed record of her years researching professional mourning, which culminated in a seminal performance at the Park Avenue Armory in 2016. During the installation, professional mourners from around the world simultaneously broadcast their lamentations within a monumental sculptural setting, enacting rituals of grief. The installation combined performance, sound, and architecture to consider the anatomy of grief and the intricate systems we use to manage fate and uncertainty. The book leads the reader through the complicated visa application process for the mourners invited to enter the United States, revealing the underlying structures governing global exchange, the movement of bodies, and the hierarchies of art and culture.
The most dangerous commodity of all... Joe "Skid" Marak, aka the pilot, is a compulsive smuggler. For him, borders are an outrage to freedom. He lives with his pet rat in the abandoned spire of Manhattan's TransCom Building. His friends are outcasts in a world ripped by plague and repression. The pilot knows his days are numbered. On his ECM-pak, he watches helplessly as his freetrading comrades vanish from the screen: victims of a mysterious force known only as "Bokon Taylay." The brother of his Rollerblading, go-go-dancing girlfriend is Taylay's latest victim. All that is left behind is a smuggled message telling the pilot he must locate the one man who can break Taylay's code, the legendary author of the Smuggler's Bible--a man who may not even exist. It's a risk worth taking. Because to the pilot, there's only one contraband more valuable than life--freedom.
Stephen Shore's Uncommon Places is indisputably a canonic body of work--a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic an...
This book is the only complete identification guide to West Indian birds from Grand Bahama Island in the North to Granada in the South - a tropical north avifaunal region which includes such species as the tiny Bee Hummingbird (only 2 1/2 inches long), parrots, honey-creepers and toadies. For every species (except vagrants, rare winter visitors or transients, listed on pp. 240-3) there are notes on diagnostic characters, local names, voice, habitat, nidification and range. Eighty are illustrated by Don Eckelberry, 56 by Arthur Singer and 186 Black and White by Earl Poole. This book was enlarged to include Arthur Signer's extra plates and the text has been revised again for this edition. This illustrated guide will be a great boon to professional and amateur even traveler with the most casual interest in birds. Mr. Bond's volume is intended for quick reference and is planned to enable the birds of the West Indian islands to be identified with the minimum of trouble and minimum of description. For purposes of identification the plates in this volume could not be bettered.