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Gia and Serena Pirji are sisters, but as the first-generation born in Canada to immigrant parents, their lives play out in different ways because of their skin tone. Gia’s fair skin grants her membership to cliques of white kids as a teen, while Serena’s dark skin means she is labelled as Indian and treated as inferior. This superficial difference, imposed by a society obsessed with skin colour and hierarchy, sets the sisters into a dynamic that plays out throughout their lives. In a world where white skin is preferable, the sisters are pitted against each other through acts of revenge and competition as they experience adultery, ruined friendships, domestic abuse, infertility and motherhood. Taslim Burkowicz’s vivid, sensory-rich writing style brings readers to the party scene in Goa, suburban supermarkets in Vancouver and a safari in Africa, where Gia and Serena navigate through the highs and lows of a tumultuous, loving relationship. The Desirable Sister reveals the bitter games of treachery women are forced to play to achieve the ranks of beauty and success, and ultimately shows the strength of love between sisters.
Current histories seem to suggest that men alone have been capable of the development of ideas, analysis, and practice of international law until the 1990s. Is this the case? Or have others been erased from the collective images of this history, including the portrait gallery of notables in international law? Portraits of Women in International Law: New Names and Forgotten Faces? investigates the slow and late inclusion of women in the spheres of knowledge and power in international law. The forty-two textual and visual representations by a diverse team of passionate portraitists represent women and gender non-conforming people in international law from the fourteenth century onwards around ...
Baby’s a skater girl trying to get through high school like everyone else. Except she loves Victorian gothic fiction, experiences violent tremors, and gets visits from the ghost of her twin. Ravi never really died for her, not like her mom did last year. When Baby gets kicked out of the house for not conforming with her Indo-Canadian family’s gender expectations, everything changes. Her new, glamorous friend Delilah introduces her to all-night parties held in exclusive clubs, abandoned warehouses, and magical cornfields — the underground rave scene in 1990s Vancouver. But how will Baby fit into this new world? Join Baby on her wild search for belonging through the landscape of acid house, complete with extraordinary music, retro fashion, and copious substance use. Alongside eccentric DJs, misanthropic skaters, and denim-clad ghosts, Baby explores her sexual and cultural identity. A coming-of-age tale, Sugar Kids is an homage to the subcultures animating the nineties.
This book constitutes the refereed proceedings of the 9th Software Quality Days Conference, SWQD 2017, held in Vienna, Austria, in January 2017. The SWQD conference offers a range of comprehensive and valuable information by presenting new ideas from the latest research papers, keynote speeches by renowned academics and industry leaders, professional lectures, exhibits, and tutorials. The 4 full papers and 7 short papers presented in this volume were carefully reviewed and selected from 21 submissions. They were organized in topical sections named: model-driven development and configuration management; software development and quality assurance; software quality assurance in industry; crowdsourcing in software engineering; software testing and traceability; and process improvement. The book also contains one keynote talk in full paper length.
This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers Oriental dance, known as belly dance or danse du ventre, regional or group-specific dances and rituals, sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals.
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