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Fog
'Dis is a war zone, ya get me? An' we gotta take 'em all out, see?' Fog is about two families: one white and dysfunctional, the other black and aspiring. Fog and Lou were put into care as young children by their soldier father, Cannon, following the untimely death of their mother. Ten years later, Cannon returns, expecting to reassemble his family around him. But he feels a stranger in this 'new' England of broken promises. And nothing could prepare him for the damage that abandonment and an inadequate care system has wreaked on his kids. He desperately tries to repair what has been broken, but is it all too little too late? Fog is a stunningly powerful and gritty play which confronts important social themes with a clear-eyed lack of sentimentality. The play looks at the care system and the effects on the children placed there. It explores the difficulties we face in trying to reconnect with people who have been absent throughout childhood, and the inadequacy of communication: words are used as loose sticking plasters to try and patch up and hide the exposed wounds of fractured relationships.
Pulp and Other Plays
Pulp and Other Plays by Tasha Fairbanks is an anthology of plays which were written for the British group Siren Theatre Company, a lesbian theatre collective founded in 1979 by women from the punk music scene who worked with their unorthodox performance skills to challenge mainstream traditions of "straight" acting. This collection indicates the diversity of Siren's theatre work: their radical feminist critique of heterosexuality and male violence in Curfew, their celebration of lesbian glamour and desire in Pulp, and a scathing attack on Thatcherite Britain in Now Wash Your Hands, Please.
Pulp
Pulp and Other Plays by Tasha Fairbanks is an anthology of plays which were written for the British group Siren Theatre Company, a lesbian theatre collective founded in 1979 by women from the punk music scene who worked with their unorthodox performance skills to challenge mainstream traditions of "straight" acting. This anthology of three of the company's plays brings long overdue recognition to the company which was Britain's foremost lesbian collective in the 1980s. This collection indicates the diversity of Siren's theatre work: their radical feminist critique of heterosexuality and male violence in "Curfew," their celebration of lesbian glamour and desire in "Pulp," and a scathing attack on Thatcherite Britain in "Now Wash Your Hands Please."About the EditorsGabrielle Griffin is Professor of Women's Studies at Nene College, Northampton. She is author of "Heavenly Love? Lesbian Images in Twentieth Century Women's Writing" (1993) and has most recently edi
Contemporary Feminist Theatres
A much-needed analysis of the development of feminist theatre in different cultures and on several continents in the past quarter-century.
Acts of Passion
The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance. It examines essays, dialogues, and performance texts from theater directors, performers, theorists, playwrights, and performance writers against social and cultural constructs and performance theories to produce a diverse and challenging portrait of lesbian live performance art. The book’s penetrating scope covers drag queens, lesbian vampires, representations of lesbian sex, solo artists, the art of coll...
Who's Who in Lesbian and Gay Writing
A lively and accessible guide to lesbian and gay literary culture. Featuring authors of works with lesbian or gay content as well as known lesbian and gay writers, it offers an invaluable guide to a rich and varied literary culture.
New Theatre Quarterly 33: Volume 9, Part 1
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Queer Looks
Queer Looks is a collection of writing by video artists, filmmakers, and critics which explores the recent explosion of lesbian and gay independent media culture. A compelling compilation of artists' statements and critical theory, producer interviews and image-text works, this anthology demonstrates the vitality of queer artists under attack and fighting back. Each maker and writer deploys a surprising array of techniques and tactics, negotiating the difficult terrain between street pragmatism and theoretical inquiry, finding voices rich in chutzpah and subtlety. From guerilla Super-8 in Manila to AIDS video activism in New York, Queer Looks zooms in on this very queer place in media culture, revealing a wealth of strategies, a plurality of aesthetics, and an artillary of resistances.
Acting Out
Both a critical account of contemporary feminist performance and illustration of its depth and diversity, Acting Out is essential reading for anyone interested in feminist theory, sexual difference, queer theory, or the politics of contemporary performance. Contributors include Philip Auslander, C. Carr, Kate Davy, Joyce Devlin, Elin Diamond, Jill Dolan, Hillary Harris, Lynda Hart, Lynda M. Hill, Julie Malnig, Vivan M. Patraka, Peggy Phelan, Janelle Reinelt, Sandra L. Richards, Amy Robinson, Judy C. Rosenthal, Rebecca Schneider, Raewyn Whyte, and Yvonne Yarbro-Bejarano.
