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Controversial Reasoning in Indian Philosophy
A pervasive form of reasoning exists in Indian philosophy. Known as arth patti, this epistemic instrument is crucial to Mimamsa philosophers, as well as a point of controversy for Nyaya and Buddhist philosophers, yet to date it has received less attention than perception, inference, and testimony. This collection presents a one-of-a-kind reference resource for understanding this form of reasoning in Indian philosophy. It assembles translations of central primary texts by Kumarila Bhatta, Prabhakara Misra, Jayanta Bhatta, Udayana and Gang sa Upadhyaya, together with newly-commissioned essays on research topics. These readable translations of Sanskrit works are accompanied by critical notes which introduce arth patti, offer historical context, and clarify the philosophical debates surrounding it. Showing how arth patti is used as a way to reason about the basic unseen causes driving language use, cause-and-effect relationships, as well as to interpret ambiguous or figurative texts, this book demonstrates the importance of this epistemic instrument in both contemporary Anglo-analytic and classical Indian epistemology, language, and logic.
Studies in the Laṅkāvatāra Sūtra
The title Lankavatara might mean entering Lanka (Perhaps referring to the temporary Mahayana period of Ceylon), suggesting that the doctrine of this scripture are possibly consistent with earlier Buddhism preserved in the Pali language. Suzuki has greatly helped the reader of the basic scripture by discussing the main ideas. He tells how to study this scripture, compares it with the popular Zen Buddhism discusses such typical and important doctrines as Mind-only the Triple body of the Buddha and many minor topics. Suzuki is both an exacting scholar and an understanding exponent of these difficult concepts. He adds a Sanskrit-Chinese-English Glossary, and also an Index. This work is essential for grasping the main ideas of the scripture.
Light on the Yoga Sutras of Patanjali
Note that due to the limitations of some ereading devices not all diacritical marks can be shown. BKS Iyengar’s translation and commentary on these ancient yoga sutras has been described as the “bible” of yoga. This edition contains an introduction by BKS Iyengar, as well as a foreword by Godfrey Devereux, author of Dynamic Yoga.
Singing to the Goddess
This collection presents 145 brief Bengali lyric poems dedicated to the Hindu goddesses Kali and Uma. These poems were written from the early-18th century up to the contemporary period. They represent the Bengali tradition of goddess worship (Saktism).
The Lamp of Discernment
The Buddhist thinkers of medieval India addressed many of the issues that are still central to Buddhist praxis in the present. One of the most important of those thinkers is Bhāviveka, author of the work known as the Prajñāpradīpa. Over several years, William (Bill) Ames translated, carefully and precisely, the first twelve chapters of that work, which he has compiled and revised for consistency in this volume. The Prajñāpradīpa is a commentary on Nagārjuna's famous, and in the view of many famously difficult, Mūlamadhyamakārikā--Root Verses on the Middle Way. Central to all Buddhist thought in one form or another is an understanding that the common entities of our experience are ...
Philosophy of Gorakhnath
This volume contains the essence of the writings and teachings of Mahayogi Gorakhnath. It is well pointed out that while the ultimate object of the search is the same for a Yogi and a philosopher, their modes of approach are different, the latterês being intellectual and the formerês intuitive and spiritual. The task of a Yogi does not require any subtle intellectual speculation or the framing of hypotheses and theories. The quest of the Yogi is a direct spiritual experience of truth on a high plane of consciousness. The highest state of Samadhi attained by the Yogi is neither purely subjective nor objective. It transcends both categories and it is an integrated experience beyond formal de...
Tantric Treasures
This book provides accurate, accessible translations of three classics of medieval Indian Buddhist mysticism. Since their composition around 1000 CE, these poems have exerted a powerful influence on spiritual life.
Reason's Traces
Reason's Traces addresses some of the key questions in the study of Indian and Buddhist thought: the analysis of personal identity and of ultimate reality, the interpretation of Tantric texts and traditions, and Tibetan approaches to the interpretation of Indian sources. Drawing on a wide range of scholarship, Reason's Traces reflects current work in philosophical analysis and hermeneutics, inviting readers to explore in a Buddhist context the relationship between philosophy and traditions of spiritual exercise.
Jnana Sankalini Tantra
India is a civilisation of many images a culture of many visual feasts a tradition where th visible and the palpable are as important as the oral and the occurrent, where our highest truths are embodied in our kathas and gathas our songs and stories, where our temples are not only places of worship but equally a gallery of beautiful forms and figures where myth is as important as doctrine, where ancient memories are full of cherished narratives where mythic beings are real in many different ways and we enrich our lives by festivals which celebrate events from the lives of our mythic gods and goddesses and where knowledge is gained as much from itinerant performers as it is from learned discourses and where when the wind blows thorugh the Pipal tree is as if we hear the hymns of the Vedas.
Introduction to Prakrit
Introduction to Prakrit provides the reader with a guide for the more attentive and scholarly study of Prakrit occurring in Sanskrit plays, poetry and prose--both literary and inscriptional. It presents a general view of the subject with special stress on Sauraseni and Maharastri Prakrit system. The book is divided into two parts. Part I consists of I-XI Chapters which deal with the three periods of Indo-Aryan speech, the three stages of the Middle Period, the literary and spoken Prakrits, their classification and characteristics, their system of Single and Compound Consonants, Vowels, Sandhi, Declension, Conjugation and their history of literature. Part II consists of a number of extracts from Sanskrit and Prakrit literature which illustrate different types of Prakrit--Sauraseni, Maharastri, Magadhi, Ardhamagadhi, Avanti, Apabhramsa, etc., most of which are translated into English. The book contains valuable information on the Phonetics and Grammar of the Dramatic Prakrits--Sauraseni and Maharastri. It is documented with an Index as well as a Students' Bibliography.
