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The Amalgamation Waltz
  • Language: en
  • Pages: 239

The Amalgamation Waltz

At a time when the idea of a postracial society has entered public discourse, The Amalgamation Waltz investigates the practices that conjoined blackness and whiteness in the nineteenth and twentieth centuries. Scrutinizing widely diverse texts--archival, musical, visual, and theatrical--Tavia Nyong'o traces the genealogy of racial hybridity, analyzing how key events in the nineteenth century spawned a debate about interracialism that lives on today.

Making Slavery History
  • Language: en
  • Pages: 241

Making Slavery History

Making Slavery History focuses on how commemorative practices and historical arguments about the American Revolution set the course for antislavery politics in the nineteenth century. The particular setting is a time and place in which people were hyperconscious of their roles as historical actors and narrators: Massachusetts in the period between the Revolution and the Civil War. This book shows how local abolitionists, both black and white, drew on their state's Revolutionary heritage to mobilize public opposition to Southern slavery. When it came to securing the citizenship of free people of color within the Commonwealth, though, black and white abolitionists diverged in terms of how they...

The Oxford Handbook of Music and Queerness
  • Language: en
  • Pages: 691

The Oxford Handbook of Music and Queerness

Explores ways that music and queerness interact to create unique meanings, Includes perspectives on music-making from many times and places, Innovative queer research and interpretation take exciting new directions Book jacket.

Performing Anti-Slavery
  • Language: en
  • Pages: 313

Performing Anti-Slavery

Performing Anti-Slavery demonstrates how black and white abolitionist women transformed antebellum performance practice into a critique of state violence.

What Is Post-Punk?
  • Language: en
  • Pages: 237

What Is Post-Punk?

Is post-punk a genre? Where did it come from? And what does it mean?

Black Apocalypse
  • Language: en
  • Pages: 133

Black Apocalypse

Juxtaposing the world-building of afrofuturism and the world-negating of afropessimism to show how both movements have offered us critical resources of hope. Science fiction imagines aliens and global crises as world-unifying events, both a threat and promise for the future. Black Apocalypse is an introduction to the past and present of black engagement with speculative futures. From Octavia Butler to W.E.B. Du Bois to Sun Ra, Tavia Nyong’o shows that the end of the world is crucial to afrofuturism and reframes the binary of afropessimism and afrofuturism to explore their similarities. Interweaving black trans, queer, and feminist theories, Nyong'o examines the social, technological, and existential threats facing our species and reflects on shifting anxieties and hopes for the future. Exploring the apocalypse in movies, art, literature, and music, this book considers the endless afterlives of slavery and inequality and revives the radical black imagination to envision the future of blackness. Black Apocalypse argues that black aesthetics take us to the edge of this world and into the next.

Cultural Heritage and Mobility from a Multisensory Perspective
  • Language: en
  • Pages: 252

Cultural Heritage and Mobility from a Multisensory Perspective

  • Categories: Art

Cultural Heritage and Mobility from a Multisensory Perspective bridges the gap between cultural heritage and mobility studies through the employment of theoretical and methodological multisensory perspectives. An interdisciplinary volume covering a broad range of empirical cases, this book focuses on the engagement with cultural heritage in the context of mobility. The book presents a grassroots perspective of individual heritage performances by mobile and moving actors, analyzing them with close attention to their embodied aspects: bodily experiences, sensory impressions, and the affect and emotions they evoke. As a result, the collection of case studies presented covers empirical, theoreti...

The Smell of Slavery
  • Language: en
  • Pages: 259

The Smell of Slavery

In the Atlantic World, different groups were aromatically classified in opposition to other ethnic, gendered, and class assemblies due to an economic necessity that needed certain bodies to be defined as excremental, which culminated in the creation of a progressive tautology that linked Africa and waste through a conceptual hendiadys born of capitalist licentiousness. The African subject was defined as a scented object, appropriated as filthy to create levels of ownership through discourse that marked African peoples as unable to access spaces of Western modernity. Embodied cultural knowledge was potent enough to alter the biological function of the five senses to create a European olfactory consciousness made to sense the African other as foul. Fascinating, informative, and deeply researched, The Smell of Slavery exposes that concerns with pungency within the Western self were emitted outward upon the freshly dug outhouse of the mass slave grave called the Atlantic World.

America, History and Life
  • Language: en
  • Pages: 260

America, History and Life

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

Provides historical coverage of the United States and Canada from prehistory to the present. Includes information abstracted from over 2,000 journals published worldwide.

The Sense of Brown
  • Language: en
  • Pages: 136

The Sense of Brown

The Sense of Brown is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. In this book, which he was completing at the time of his death, Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons—a lifeworld, queer ecology, and form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being in the world.