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European Paintings and Sculpture from Joslyn Art Museum
Renaissance and Impressionist painting from the holdings of the acclaimed Omaha museum The first comprehensive reexamination of this Omaha museum's permanent collection in over three decades, European Paintings and Sculpture from Joslyn Art Museum marks a significant milestone for the institution and draws deserved attention to the artworks in its care. The museum's collection of European painting and sculpture includes masterworks by Titian, Paolo Veronese, Claude Lorrain, Rembrandt, Gustave Courbet, Edgar Degas, Claude Monet and Camille Pissarro, as well as significant holdings of 19th-century French academic painting, with major examples by Jules Breton, William-Adolphe Bouguereau and Jean-Léon Gérôme. Despite the importance of this collection, previous publications have only addressed these works within a broader selection of museum highlights. The new catalog presents 100 artworks dating from the late 13th to the early 20th century and representing many of the most important artists, schools and styles of European art history.
Early U.S. Blackball Teams in Cuba
Before they were the stars of the Negro Leagues--before the Negro Leagues even began--outstanding African American players like Rube Foster, Charles Grant and Pop Lloyd competed against the leading players of Cuba. In the early years of the 20th century, winners of the "colored" championship in the United States traveled to Cuba to compete against the top Cuban League teams, amateur clubs, and All-Star squads. Part of the "American Series" that brought teams from the major, minor, and Negro leagues to the island nation for more than six decades, these games are arguably the most important in a baseball relationship that was vital to the game's history. Since the end of Cuban professional bas...
Fandom as Methodology
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays...
Italy for Sale
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
The Camera as Historian
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Tilapia in Intensive Co-culture
Intensive tilapia co-culture is the commercial production of various species of tilapia in conjunction with one or more other marketable species. Tilapia are attractive as a co-cultured fish because of their potential to improve water quality, especially in penaeid shrimp ponds, by consuming plankton and detritus and by altering pathogenic bacterial populations while increasing marketable production. Following introductory chapters covering ecological aspects of co-culture, tilapia feeding habits, historical use, and new models, Tilapia in Intensive Co-Culture is divided into co-culture in freshwater and marine environments. Co-culture core information is presented on Vibrio control, high-ra...
Index Medicus
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.
Holistic Remedies for Alzheimer's
he mysteries surrounding Alzheimer’s disease have confounded conventional medicine since its discovery more than a century ago. Finally, the causes and natural solutions for this mysterious condition are exposed in this groundbreaking book. Beginning with a full description of the signs and symptoms of early- and late-stage Alzheimer’s, the author clarifies the documented risk factors related to the condition. Unraveling the science from more than a thousand research studies, the author then defines the mechanisms of the disorder, and reveals dozens of scientifically confirmed natural strategies, including diet factors, nutrients, superfoods, herbal medicines and lifestyle changes proven to help us avoid or combat this devastating form of dementia. Finally, “Holistic Remedies for Alzheimer’s” deciphers the depths of consciousness to broaden our perspective of this dreaded condition, offering the means for hope and understanding.
The invention of the 20th century
The art critic and historian Carl Einstein was one of the most important and multifaceted personalities of the 20th-century artistic avant-garde. His books, articles and essays were fundamental pieces for the critical study of the avant-garde movements; in them he introduced the West to African art and ratified Cubism as a movement in its own right. His intellectual oeuvre, rediscovered in recent decades, is now paid tribute at the MNCARS. This is the first international exhibition to offer a visual description of the work of Einstein, a key figure in visual arts as well as literature, theatre, film and political action. The Invention of the 20th Century shows significant works by the most important artists of the avant-garde movements, whom Einstein knew and on whose careers he reflected and wrote. The one hundred and twenty pieces on display are signed by names like Braque, Dal, Grosz, Lger, Mir, Picasso, Rousseau, Paul Klee and Otto Dix, to name a few.
