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Why is TV writing different from any other kind of writing? How will writing a spec script open doors? What do I have to do to get a job writing for TV? Writing for television is a business. And, like any business, there are proven strategies for success. In this unique hands-on guide, television writer and producer Ellen Sandler shares the trade secrets she learned while writing for hit shows like Everybody Loves Raymond and Coach. She offers concrete advice on everything from finding a story to getting hired on a current series. Filled with easy-to-implement exercises and practical wisdom, this ingenious how-to handbook outlines the steps for becoming a professional TV writer, starting wit...
Television is a growth industry with an insatiable hunger for writing talent. Soaps, series dramas, plays, situation comedies - television constantly needs new writers. This inspiring book is full of professional tips and techniques that producers, agents and script editors would give you themselves - if only they had the time. Complete with vital information on how to sell your writing - and how much you can earn. Packed with tips for writing and selling. Lists essential contacts and phone numbers. Contents: List of Illustrations; The opportunities; 1. The basics; 2. Story & theme; 3. Style; 4. Structure; 5. Plotting; 6. Visual Interest; 7. Dialogue; 8. Characterisation; 9. Situation Comedy; 10. Presentation; 11. From Script to Screen; 12. The difficult Markets; 13. Programmes Looking for Writers; 14. Soap Operas; 15. Other Markets for Scripts; 16. Common Queries; 17. TV Talk; 18. Organisations That Will Help You; 19. Where to Send your Script; Further reading; Index.
Written by professional screenwriter Steve Wetton, this book draws on insider tips and techniques to hone your writing skills to a new level. Drawing on examples from well-known sitcoms, dramas and soaps, the book guides the aspiring screenwriter through all the stages from planning to submitting.
This revised edition includes extracts from recent television scripts and relevant information on the latest advances in television production techniques. It covers plot, story construction, characterisation, dialogue and comedy. There is also information on how to market new material, writers' fees and a do's and don'ts' section, aimed at beginners to help them avoid the pitfalls that can lead to rejection.
Break Into Writing For Television takes you from the very first line of the script through to becoming a regular writer for soaps and 'continuing dramas'. It starts with the basics of different types of script and production, and moves on to getting ideas, shaping character and dialogue, re-writing, pitching work and the practicalities of who does what in the production world, in both the UK and the US. Structured around a practical, progressive, goal-orientated approach, each chapter contains a diagnostic test, case studies, practical exercises and Aide Memoire boxes. Each chapter concludes with a reminder of the key points of the chapter (Focus Points) and a round-up of what to expect in the next (Next Step), which will whet your appetite for what's coming and how it relates to what you've just read.
Do you want to write for TV? Want advice from TV industry experts on how to sell a script? Whether you understand beats and through lines or are still trying to figure out your A story from your B story, The Insider's Guide to Writing for TV supports you through the whole process of writing a television script - from working out a premise to getting your script on screen. Co-authored by a successful scriptwriter and script editor, and the co-founder of one of the UK's most prestigious scriptwriting agencies, you can be confident of definitive guidance on how to write a television script as well as the best professional advice on how to make money from scriptwriting. The television industry c...
This inspiring book is full of professional tips and techniques that producers, agents and script editors would give you themselves - if only they had the time. Complete with vital information on how to sell your writing, and how much you can earn.
Philip Rapp will remain immortal through his catty creation, The Bickersons, an insanely funny radio vignette that later emerged on TV and stage, and which influenced a generation of Honeymooners-loving viewers. But he was a far more prolific author than that. In late 1958, he pitched an idea for a series called Deputy Seraph, starring the Marx Brothers, which would wind up being their penultimate appearance on film together. Only a few minutes of their scene was shot, however, along with the photos inside this book, and nothing else. The project was scrapped too quickly once Chico failed to pass the medical physical exam required for insuring its stars during the series. Those few minutes h...