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Soap Operas Worldwide
While the American soap opera is known primarily for its marketing value, producers, health professionals, politicians, and rebels elsewhere focus on the serials potential for social change: African, Indian and South American serials offer information on family planning, child protection and AIDS; a Mexican telenovela parallels a government murder scandal--the program is so popular the state dare not censor it. In Russia, South American novelas are so popular that Boris Yeltsin manipulates programming to affect voters on polling day. Here is an examination of the economic and social impact of the soap opera, with projections for the future. A chapter for each of the nine regions of the world offers demographic statistics of major countries audiences, radio and television usage, stations available, and synopses of the most popular serials.
To Be Continued...
To Be Continued... explores the world's most popular form of television drama; the soap opera. From Denver to Delhi, Moscow to Manchester, audiences eagerly await the next episode of As the World Turns, The Rich Also Weep or Eastenders. But the popularity of soap operas in Britain and the US pales in comparison to the role that they play in media cultures in other parts of the world. To Be Continued... investigates both the cultural specificity of television soap operas and their reception in other cultures, covering soap production and soap watching in the U.S., Asia, Europe, Australia and Latin America. The contributors consider the nature of soap as a media text, the history of the serial narrative as a form, and the role of the soap opera in the development of feminist media criticism. To Be Continued... presents the first scholarly examination of soap opera as global media phenomenon.
Crossroads
'Crossroads', one of the most successful programmes on television, has attracted a huge and devoted audience of some 15 million regular viewers. Yet, like many soap operas, it is derided by the press and treated with distaste by other programme-makers. Indeed, despite its popularity, its very future currently hangs in the balance. While doing independent research on popular television in the ATV studios in 1981, Dorothy Hobson observed the storm that developed around the company's decision to dispense with Meg Mortimer, star of 'Crossroads'. The repercussions of that announcement were immense and highlighted the gulf between the broadcasting authorities and the progaramme's critics, and the 'Crossroads' production team and the audience. Through talking to the actors, the programme controller and the viewing public, she went on to explore the contradictions of why and how a soap opera is made and viewed, examining the appeal of 'Crossroads' and attempting to locate the programme as part of contemporary popular culture. The result is a revealing, controversial but also very absorbing analysis of a soap opera in crisis.
The Soap Opera
A comprehensive survey of the history, the means of production, the content and the impact on audiences of soap operas. A sociologist and a specialist in women's studies combine to review the content of soap operas, and the way in which they are produced. How have the themes of soap operas changed with social convention? How do these massively popular serials aimed at a female audience portray women at work and at home? The impact of soap opera on its audience, the different varieties of soap operas, and the differences in structure, content, and commercial purpose between soap operas and prime time television are also discussed. `Cantor and Pingree have performed an important service by bringing together and analyzing a va
Soap Operas. What is a soap?
Seminar paper from the year 1997 in the subject Communications - Movies and Television, grade: gut, University of Graz (Fachbereich Literaturwissenschaften), course: Soap Operas, language: English, abstract: A soap opera is a serialized drama which runs for 52 weeks of the year with continuous storylines dealing with domestic themes, personal or family relationships and a limited running characters. Soap operas or serials are open-ended ... Soap operas are one of the few genres where weddings, for instance, are not a happy ending but the beginning of a marriage that may be troubled or even doomed to failure. A dramatic program usually presented daily, with continuing characters and multiple ...
Soapbox
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Women and Soap Opera
This is the first major study of the role of women in prime time soap operas. In a comparative analysis of British and North American television soaps, Christine Geraghty examines the relationship between the narrative on screen and the women who make up the traditional soap audience. Within the structure of many of the most popular soaps such as Dallas, Dynasty, Coronation Street and Eastenders, the split between public and personal life, reason and emotion, work and leisure is turned into the lynchpin of the plot. Geraghty discusses images of the family, the way in which women's roles in the community are portrayed, the character of the independent woman, and how sexual orientation, class and race are dealt with by the soaps. Finally she examines the possibility of using soap operas to promote change and influence attitudes and prejudices.
The Soap Opera Paradigm
The Soap Opera Paradigm is an engaging look at the pervasive use of daytime soap opera storytelling techniques in most television program genres, from prime time soap operas and reality shows to the nightly news, coverage of political campaigns, and sports programming. Drawing from a wealth of research, James Wittebols shows how programming techniques have changed over time and what roles media concentration and commercial influences have played in these changes. Visit our website for sample chapters!
The Ultimate Soap Opera Guide
Although some will not confess to it, almost everybody is intrigued with the intricate plottings of daytime drama. This book aims to provide the juicy details the reader needs to keep up to date with current soap operas - their storylines and their stars.
