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Faraway Places
Faraway Places resides in the spaces between the wild and the tamed, from orchid gardens and immense seas to caged birds and high alpine landscapes. It resists narrative and instead inhabits the residues of experience. It may be a private dictionary: “Those / who know the lore can use them / to find their way / in the world.” Haunted and searching, these poems navigate the distances between light and shadow, secrets and silence.
Islanders
A blend of fact, fiction, politics, and intimacy this poetry book chronicles a forgotten episode in American history and prefigure today's immigration debates. Between 1910 and 1940, Chinese immigrants to America were detained at the Angel Island Immigration Station in the San Francisco Bay. As they waited for weeks and months to know if they could land, some of the detainees wrote poems on the walls. All the poems on record were found in the men's barracks; the women's quarters were destroyed by a fire. The collection imagines the lost voices of the detained women, while also telling the stories of their families on shore, the staff at Angel Island, and the 1877 San Francisco Chinatown Riot.
Life in a Field
This is a comedy about climate change, in which a girl and a donkey become friends, then decide to marry time. A lyric fable, Life in a Field intersperses Katie Peterson's slow-moving, cinematic, and sensual writing with three folios of photographs by Young Suh. Introspection, wish, dream, and memory mark this tale, which is set in a location resembling twenty-first-century California--with vistas and orchards threatened by drought and fires. This is also a place of enchantment, a fairy-tale landscape where humans and animals live as equals. As the girl and the donkey grow up, they respond to the difficulties of contemporary civilization, asking a question that meets our existential moment: What do you do with the story you didn't wish for? A narrator's voice combines candor with distance, attempting to find a path through our familiar strife, toward a future that feels all but impossible, and into what remains of beauty and pleasure. Life in a Field tries to reverse our accelerating destruction of the natural world, reminding us of "the cold clarity we need to continue on this earth."
Blue Yodel
Originated in 1919 to showcase the works of exceptional American poets under the age of forty, the Yale Series of Younger Poets prize is the oldest annual literary award presented in the United States. Ansel Elkins’s poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her “arresting use of persona,” calling her poems “razor-edged in their intelligence, Southern Gothic in their sensibility.” In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose “otherness” has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.
Bitter Creek
Bitter Creek is a lyric Chinese epic of the American west that reveals devastating realities of the 1885 Rock Springs Massacre. In September of 1885, the Chinese coal miners who were brought in as strikebreakers were ambushed and driven out of the town at gunpoint by white coal miners, Bitter Creek revisits this dark episode--known today as the Rock Springs Massacre--revealing the stories beneath this violent, decade-long culmination of labor struggles and racial hostilities in the Union Pacific Coal Mines. Through the eyes of the struggling railroad workers, their families, and the corporation working them to the bone, Teow Lim Goh creates an ode to buried history that blends epic tradition with modern composition and astonishing empathy to ask the question, "What turns ordinary people into monsters?"
Booker's Point
Bernard A. Booker, wry old Maine codger and unofficial mayor of Ell Pond, is the subject of Booker's Point, an oral history-inspired portrait-in-verse. Weaving storytelling, natural history, and the poetry of place, the collection evokes the sensibility of rural New England and the pleasures of a good story. "Grumbling is subtle, conjures the natural world richly and convincingly, and her subject matter is surprising and intriguing. I also admire how she handles meter."—Morri Creech, judge and author of Sleep of Reason
Topaz
Topaz explores the immediate and lingering effects of WWII prison camps on Japanese American families and on future generations
Wild Geese Sorrow
New translations of the poems left behind at the Angel Island Immigration Station.
Oculus
FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY A brilliant second collection by Sally Wen Mao on the violence of the spectacle—starring the film legend Anna May Wong In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.
Country of Ghost
Gaylord Brewer's ninth collection of poetry, Country of Ghost, is by turns harrowing, haunted, and darkly humorous, and always deeply felt. When the figure Ghost appears--crossing a bridge in Spain, beside a river of the dead in France, across a midnight lake in Finland--our speaker follows into a ravenous geography of longing and regret. In this astounding sequence of poems, who has summonsed whom? Brewer's folie à deux explores both the worlds of the living and of the dead, worlds alternately aching and tender, and of the spirits caught between them.
