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Antirealist views about morality claim that moral facts or truths do not exist. Do these views imply that other types of normative facts, such as epistemic ones, do not exist? The Normative Web develops a positive answer to this question. Terence Cuneo argues that the similarities between moral and epistemic facts provide excellent reason to believe that, if moral facts do not exist, then epistemic facts do not exist. But epistemic facts, it is argued, do exist: to deny their existence would commit us to an extreme version of epistemological skepticism. Therefore, Cuneo concludes, moral facts exist. And if moral facts exist, then moral realism is true. In so arguing, Cuneo provides not simply a defense of moral realism, but a positive argument for it. Moreover, this argument engages with a wide range of antirealist positions in epistemology such as error theories, expressivist views, and reductionist views of epistemic reasons. If the central argument of The Normative Web is correct, antirealist positions of these varieties come at a very high cost. Given their cost, Cuneo contends, we should find realism about both epistemic and moral facts highly attractive.
One of the few railway artist actually to be commissioned by the railway companys, and particularly by British Rail when steam was still operational, Terence Cuneo's paintings are renowned throughout the world. As well as illustrating his most famous works, the book includes many new and unseen paintings. Both the paintings and the text, laced with fascinating sketches and anecdotes, reflects this great British artist's genius and real love of railways. Indeed, his enthusiasm has produced paintings of railways as diverse as the small trains of Kashmir and the giants of America and Canada, at the same time remaining true to his first love, the great railways of Britain.
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Presents the work of a military painter who began his career during World War II, with the Illustrated London News. The paintings in this volume offer scenes involving the major conflicts of the 19th and 20th centuries, from the Crimean and Boer Wars to the Falklands and Gulf Wars.
Central to the lives of the religiously committed are not simply religious convictions but also religious practices. The religiously committed, for example, regularly assemble to engage in religious rites, including corporate liturgical worship. Although the participation in liturgy is central to the religious lives of many, few philosophers have given it attention. In this collection of essays, Terence Cuneo turns his attention to liturgy, contending that the topic proves itself to be philosophically rich and rewarding. Taking the liturgical practices of Eastern Christianity as its focal point, Ritualized Faith examines issues such as what the ethical importance of ritualized religious activities might be, what it is to immerse oneself in such activities, and what the significance of liturgical singing and iconography are. In doing so, Cuneo makes sense of these liturgical practices and indicates why they deserve a place in the religiously committed life.
Terence Cuneo develops a novel line of argument for moral realism. The argument he defends hinges on the normative theory of speech, according to which speech acts are generated by an agent's altering her normative position with regard to her audience, gaining rights, responsibilities, and obligations of certain kinds. Some of these rights, responsibilities, and obligations, Cuneo suggests, are moral. And these moral features are best understood along realist lines, in part because they explain how it is that we can speak. If this is right, a necessary condition of being able to speak is that there are moral rights, responsibilities, and obligations of a broadly realist sort.