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Understanding Terence
  • Language: en
  • Pages: 247

Understanding Terence

Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Day Nothing Happened
  • Language: en
  • Pages: 248

The Day Nothing Happened

  • Type: Book
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  • Published: 1988
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  • Publisher: Unknown

This collection of 12 short stories is set in Sarawak, Malaysia during the 1960s with the central character of Dan Collins, an engineer on loan from the American government. All stories provide sensitive portrayals of human experiences that transcend cultural differences. Some strong language and some descriptions of sex. 1988.

Terence and Interpretation
  • Language: en
  • Pages: 325

Terence and Interpretation

PIERIDES IV This volume examines interpretation as the original process of critical reception vis-a-vis Terence’s experimental comedies. The book, which consists of two parts, looks at Terence as both an agent and a subject of interpretation. The First Part (‘Terence as Interpreter’) examines Terence as an interpreter of earlier literary traditions, both Greek and Roman. The Second Part (‘Interpretations of Terence’) identifies and explores different expressions of the critical reception of Terence’s output. The papers in both sections illustrate the various expressions of originality and individual creative genius that the process of interpretation entails. The volume at hand is the first study to focus not only on the interpreter, but also on the continuity and evolution of the principles of interpretation. In this way, it directs the focus from Terence’s work to the meaning of Terence’s work in relation to his predecessors (the past literary tradition), his contemporaries (his literary antagonists, but also his audience), and posterity (his critical readers across the centuries).

Terence
  • Language: en
  • Pages: 233

Terence

Terence's Phormio, based on a Greek original by Apollodorus of Carystus, was produced towards the end of his short dramatic career in 161 BC. With its lively action, based on the traditional elements of love, deception and mistaken identity, the play provides an ideal introduction to the genre of New Comedy. What makes the Phormio unique amongst Terence's works is the central importance of the witty and scheming parasite who gives his name to the play and directs and controls its action throughout, even when absent from the stage. The use of the "double" plot with its two young men in love and two contrasting fathers provides ample scope for depth and variety of characterisation. The aim of the present edition is to bring out to the full Terence's skill in plot development and character portrayal which was to make the Phormio one of his most entertaining plays. Latin text with facing-page translation, introduction and commentary.

Terence: Andria
  • Language: en
  • Pages: 310

Terence: Andria

As the first play of the Terentian corpus, Andria has always attracted a special level of attention. It was the first Roman comedy produced after antiquity (at Florence in 1476) and the first translated into English, and it has inspired writers from Jonson and Dryden to Thornton Wilder. It provides an excellent introduction to Terence 's particular style of comedy, noteworthy for its ambivalence in representing the perspectives of woman and slaves and its experiments with a secondary plot line. The commentary is designed both to help students with the basic linguistic and technical problems confronting inexperienced readers of Roman comedy and to open discussion of essential interpretive questions involving the play and its relation to the wider comic corpus, as well as the utility of comedy for furthering our understanding of the Roman world and its values.

Terence between Late Antiquity and the Age of Printing
  • Language: en
  • Pages: 331

Terence between Late Antiquity and the Age of Printing

  • Type: Book
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  • Published: 2015-05-19
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  • Publisher: BRILL

Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.

Terence and the Verb 'to Be' in Latin
  • Language: en
  • Pages: 374

Terence and the Verb 'to Be' in Latin

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

Terence and the Verb 'To Be' in Latin is the first in-depth study of the verb 'to be' in Latin (esse) and some of its hidden properties. Like the English 'be' (e.g. it's), the Latin forms of esse could undergo phonetic reduction or contraction. This phenomenon is largely unknown since classical texts have undergone a long process of transmission over the centuries, which has altered or deleted its traces. Although they are often neglected by scholars and puzzling to students, the use of contracted forms is shown to be widespread and significant. These forms expose the clitic nature of esse, which also explains other properties of the verb, including its participation in a prosodic simplifica...

Terence Wallen - Now I'm Famous: An Autobiography of Terence Wallen
  • Language: en
  • Pages: 177

Terence Wallen - Now I'm Famous: An Autobiography of Terence Wallen

NOW I'M FAMOUS With a life I can only describe so far as an amazing rollercoaster I’ve sat comfortably, seat belt fastened, absorbing every bump, dip, corner, pace, the starts, the stops, the judders and some slow crawls, with all those said i have no regrets boarding. We’ve all got a story to tell, every journey can be spoken of, the fact that I’ve decided to write my autobiography can inspire others to document their journey, be part of the history that in the future they will be reading about. I hope after attending this launch and reading my autobiography, taking me from popular to ‘Famous’, you too can experience consecutive wins, healing energy, unexpected blessings, constant...

Lippincott's Monthly Magazine
  • Language: en
  • Pages: 698

Lippincott's Monthly Magazine

  • Type: Book
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  • Published: 1869
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  • Publisher: Unknown

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