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A comprehensive collection of essays by leading scholars in the field that address, in a single volume, several key issues in interpreting Terence offering a detailed study of Terence’s plays and situating them in their socio-historical context, as well as documenting their reception through to present day • The first comprehensive collection of essays on Terence in English, by leading scholars in the field • Covers a range of topics, including both traditional and modern concerns of gender, race, and reception • Features a wide-ranging but interconnected series of essays that offer new perspectives in interpreting Terence • Includes an introduction discussing the life of Terence, its impact on subsequent studies of the poet, and the question of his ethnicity
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Reproduction of the original.
"Terence (?184-159 B.C.) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. All six of his plays survive. This new translation with introduction and explanatory notes aims to be both accurate and idiomatic, and to convey the liveliness of the plays as pieces written for the theatre."--BOOK JACKET.
PIERIDES IV This volume examines interpretation as the original process of critical reception vis-a-vis Terence’s experimental comedies. The book, which consists of two parts, looks at Terence as both an agent and a subject of interpretation. The First Part (‘Terence as Interpreter’) examines Terence as an interpreter of earlier literary traditions, both Greek and Roman. The Second Part (‘Interpretations of Terence’) identifies and explores different expressions of the critical reception of Terence’s output. The papers in both sections illustrate the various expressions of originality and individual creative genius that the process of interpretation entails. The volume at hand is the first study to focus not only on the interpreter, but also on the continuity and evolution of the principles of interpretation. In this way, it directs the focus from Terence’s work to the meaning of Terence’s work in relation to his predecessors (the past literary tradition), his contemporaries (his literary antagonists, but also his audience), and posterity (his critical readers across the centuries).
Terence (?184-159 BC) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. His plays have been imitated by authors as diverse as the nun Hrothswitha in the tenth century and P. G. Wodehouse in the twentieth. They deal with the love-life of adolescent boys and with associated tensions in their relations with their fathers. They show love triumphing over obstacles of various kinds, and they also portray the problems that arise from ignorance, misunderstanding, and prejudice. They are true to universal elements of human experience, and audiences today can readily engage with the issues they raise. This new translation with introduction and explanatory notes aims to convey the liveliness of the plays as pieces written for the theatre.