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The Arthur of the Iberians
Up-to-date Coverage of the scope and extent of the important tradition of Arthurian material in Iberian languages and of the modern scholarship on it. (= Wide-ranging bibliographical coverage and guide to both texts and research on them.) Written by Specialists in the different Romance languages of the Iberian Peninsula (Portuguese, Catalan, Galician, Spanish and its dialects). (= Expert analysis of different traditions by leading scholars from Spain and the UK.) Wide-ranging Study not only of medieval and Renaissance literary texts, but also of modern Arthurian fiction, of the global spread of Arthurian legends in the Spanish and Portuguese worlds, and of the social impact of the legends through adoption of names of Arthurian characters and imitation of practices narrated in the legends. (=A comprehensive guide to both literary and social impact of Arthurian material in major world languages.)
The Medieval Chronicle V
There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society.
A Companion to Portuguese Literature
This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some of the most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is u...
A Revisionary History of Portuguese Literature
First published in 1999, this volume is a collection of papers on Portuguese literature, giving a historical and more updated review. Included are twelve essays presented in chronological order, providing students with a series of assessments and developments.
The Medieval Chronicle VI
Preliminary Material -- WRITTEN AND ORAL TESTIMONIES IN MEDIEVAL CHRONICLES: MATTHEW PARIS AND GIOVANNI VILLANI /Sophia Menache -- BYZANTINE CHRONICLES /Roger Scott -- WRITTEN BY THE VICTORS: TECHNIQUE AND IDEOLOGY IN OFFICIAL HISTORIOGRAPHY IN VERSE IN LATE-MEDIEVAL SPAIN /Alan Deyermond -- TIME AND MEMORY IN THREE PORTUGUESE CHRONICLES /Teresa Amado -- THE NEW AGE OF PROPHECY: THE CHRONICLE OF MATTHEW OF EDESSA AND ITS PLACE IN ARMENIAN HISTORIOGRAPHY /Tara L. Andrews -- LE TRAVAIL DE MEMOIRE: LA CRONICA DE DINO COMPAGNI. LA FIABILITE DU VOIR: LE ROLE DE TEMOIN OCULAIRE ET LA VERIDICITE DU SOUVENIR /Francesca Braida -- CREATING AND MAINTAINING A YEAR-BY-YEAR CHRONICLE: THE EVIDENCE OF THE ...
Blacksmiths of Ilamba
This study analyzes the establishment of an iron foundry in the interior 18th-century of Angola. It was a fruit of the Portuguese Enlightenment, which encouraged investment in manufacturing, particularly of iron, a metal indispensable for military and technological purposes. However, the plans faced the resistance of African blacksmiths and founders who refused to learn foreign techniques and work processes. By emphasizing Central African agency, the book highlights the successful strategies of historical actors who scholars have largely ignored. Based upon a wide variety of sources from Brazilian, Portuguese, and Angolan archives, the book reconstructs how Africans were taken to work at the...
The Book as Artefact, Text and Border
Books do not just contain texts: books themselves are cultural artefacts, which convey many meanings in their own right, meanings which interact with the texts they contain. Awareness of the many significances of books as cultural and textual objects reshapes the traditional disciplines of textual theory, analytic bibliography, codicology and palaeography, while the advent of electronic books, and digital methods for representing print books, is introducing a new dimension to our understanding. Seven essays in this volume, ranging over medieval Portuguese and Swedish manuscripts, eighteenth-century Icelandic editions, Australian playtexts, Thackeray and Anita Brookner, and Stefan George, con...
A Gil Vicente Bibliography, 1975-1995
This bibliography lists those contributions to the study of Gil Vicente that were published between 1975 and 1995. It also supplements the 1940-75 Gil Vicente bibliography. Entries are organized into three main sections: editions and adaptations, translations, and critical studies.
A Gil Vicente Bibliography (2005–2015)
This is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465–1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente’s works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist’s works are introduced.
