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Teaching and Testimony
Contains narratives of the experiences of teachers using the testimonial of Rigoberta Menchu, a Guatemalan Indian woman who won the Nobel Peace Prize in 1992. Includes background essays on Menchu and the role of her story in political correctness debates.
Exploration and Colonization
Twenty essays examine the themes of exploration and colonization in literature, including works such as "The Iliad" and "Things Fall Apart."
Teaching Modern Latin American Poetries
The essays in this book, groundbreaking for its focus on teaching Latin American poetry, reflect the region's geographic and cultural heterogeneity. They address works from Mexico, Chile, Peru, Ecuador, Colombia, Cuba, Brazil, Argentina, Guatemala, Nicaragua, and Uruguay, as well as from indigenous communities found within these national distinctions, including the Kaqchikel Maya and Zapotec. The volume's essays help instructors teach poetry written from the second half of the twentieth century on, meaningfully connecting this contemporary corpus with older poetic traditions. Contributors address teaching various topics, from the silva and the long poem to Afro-descendant poetry, in ways that bring performance, digital approaches, queer theory, and translation into action. The insights offered here will demonstrate how Latin American poetry can become a part of classes in African diasporic studies, indigenous studies, history, and anthropology.
The Cambridge Companion to Latin American Poetry
This Companion provides a chronological survey of Latin American poetry, analysis of modern trends and six succinct essays on the major figures.
Patricia Johanson and the Re-invention of Public Environmental Art, 1958-2010
Impeccably researched and richly detailed, this book addresses the issue of translation between visual arts and landscape design in the 50-year career of American painter and environmental artist Patricia Johanson. Exploring the artist's search for an art of the real as a member of the postwar New York art world, it demonstrates that visual translation cannot be understood solely through the works of art, instead attention must be paid to the process of creation. This book is an insightful attempt to confront a crucial question in the history of art through the work of a contemporary artist.
No Room
Recinos’ love for poetry dates back to being raised on the tormented streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken in by a White Presbyterian minister and guided back into school. When in graduate school in New York City, he befriended Nuyorican poets Miguel Piñero and Pedro Pietri, who encouraged him to write and read poetry at the Nuyorican poets café. Recinos’ poetry makes a connection between the poetic imagination, social criticism, and the meaning of life together in a diverse society. No Room is poetry that creates a fusion between the personal and the public in verse that is searching, expansive, and walking hurt streets. In this collection, Recinos encourages readers to use their imagination to live into invisible publics and to pause in the places where the voiceless speak. No Room offers images, feelings, and stories that crack dividing walls of hostility and nativist prohibitions and capture the full complexity of life experienced from the barrio to the American public square.
Native and National in Brazil
How do the lives of indigenous peoples relate to the romanticized role of "Indians" in Brazilian history, politics, and cultural production? Native and National in Brazil charts this enigmatic relationship from the sixteenth century to the present, focusing on the consolidation of the dominant national imaginary in the postindependence period and highlighting Native peoples' ongoing work to decolonize it. Engaging issues ranging from sovereignty, citizenship, and national security to the revolutionary potential of art, sustainable development, and the gendering of ethnic differences, Tracy Devine Guzman argues that the tensions between popular renderings of "Indianness" and lived indigenous ...
Beyond the Page
Beyond the Page examines the performance of poetry to show how it travels outside of writing, eventually becoming part of the cultural consciousness. Exploring a range of performances from early twentieth-century recitations to twenty-first-century film, CDs, and Internet renditions, Beyond the Page offers analytic tools to chart poetry beyond printed texts.
Marriage and Sexuality in Medieval and Early Modern Iberia
First published in 2002. This fascinating collection of essays examines the politics of gender and desire in premodern Iberia. Eukene Lacarra Lanz brings together a group of noted specialists in Arabic, as well as Castilian, Catalan and other Romance languages, to investigate the changes that affected marriage and sexuality over the course of the millennium, from approximately 650 to 1650 A.D. The contributors utilise a variety of literary and philosophical texts, legal documents, and medical treatises to explore a broad range of topics, such as shrew-taming, wedding rituals, wet-nursing, cross-dressing, sodomy and moral pornography. The volume's interdisciplinary approach traces the origins and genealogies of the predominant discourses on these subjects that engaged the minds of medieval and premodern writers, moralists, politicians and scientists alike. Marriage and sexuality in Medieval and Early Modern Iberia offers a rich history and insightful analysis of some of the central themes of Hispanic literary and cultural life.
Seeing Baya
The first biography of the Algerian artist Baya Mahieddine, celebrated in mid-twentieth-century Paris, her life shrouded in myth. On a flower farm in colonial Algeria, a servant and field worker known as Baya escaped the drudgery of her labor by coloring the skirts in fashion magazines. Three years later, in November 1947, her paintings and fanciful clay beasts were featured in a solo show in Paris. She wasn’t yet sixteen years old. In this first biography of Baya, Alice Kaplan tells the story of a young woman seemingly trapped in subsistence who becomes a sensation in the French capital, then mysteriously fades from the history of modern art—only to reemerge after independence as an ico...
