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Humanism and the Culture of Renaissance Europe
The updated second edition of a highly readable synthesis of the major determining features of the Renaissance.
Silver Wood
At eleven years of age Lily Heaths family are involved in a tragic car accident. As sole survivor, Lily is fostered to a distant Godfather; Edmond Silverwood, and sent to live on an isolated ranch. Traumatised and uncommunicative, over time Lily reinvents herself and relinquishes all ties with her former life. Following a chance encounter on the eve of her 21st birthday, the past resolves to catch up with her. What begins as a vague recollection turns into a journey of self-discovery when Lilys feelings for Edmonds son, Lucas threaten to unravel her carefully constructed identity. As obsession takes hold, Lilys life begins to derail. Plagued by reoccurring nightmares and driven by intuition she sets out to uncover what occurred on a stretch of road a decade earlier. A quest that ultimately brings her face to face with the only other person who survived.
Humanism and Renaissance Civilization
The essays collected in this volume represent many years of Professor Nauert's research and teaching on the history of Renaissance humanism, and more particularly on humanism north of the Alps. Much of the early work involved the significant but often-overlooked history of humanism at the University of Cologne, notoriously the most anti-humanist of the German universities. Later essays deal with the most famous humanist of the early sixteenth century, Erasmus of Rotterdam, and natural philosophy, a broad term covering many subjects now associated with natural science, is the topic of three of the pieces published here. Taken as a whole, the book presents a detailed study of intellectual development among European elites.
Will Gorlitz
Will Gorlitz: nowhere if not here examines the art, background, and theoretical concerns of contemporary Canadian artist Will Gorlitz. Appreciated especially for his painting and drawing, Gorlitz produces imaginative and highly visual artwork that is further distinguished by its fundamentally restructured and critically extended approach to representational painting. With differing emphases from several contributing writers, this book identifies the contexts, methodologies, and motivations that comprise the artist’s practice over the past 25 years. The book is published in conjunction with a major circulating survey exhibition of Gorlitz’s work organized by Allan MacKay for the Kitchener-Waterloo Art Gallery in partnership with the Macdonald Stewart Art Centre. Co-published with the Kitchener-Waterloo Art Gallery
Interfaces of the Word
Drawing on a wide range of disciplines—linguistics, phenomenological analysis, cultural anthropology, media studies, and intellectual history—Walter J. Ong offers a reasoned and sophisticated view of human consciousness different in many respects from that of structuralism. The essays in Interfaces of the Word are grouped around the dialectically related themes of change or alienation and growth or integration. Among the subjects Ong covers are the origins of speech in mother tongues; the rise and final erosion of nonvernacular learned languages; and the fictionalizing of audiences that is enforced by writing. Other essays treat the idiom of African talking drums, the ways new media interface with the old, and the various connections between specific literary forms and shifts in media that register in the work of Shakespeare and Milton and in movements such as the New Criticism. Ong also discusses the paradoxically nonliterary character of the Bible and the concerted blurring of fiction and actuality that marked much drama and narrative toward the close of the twentieth century.
A Matter of Spirit
The suggestion is here that soul-making is the true vocation of the poet. Poetry is personal speech on universal experience, and in this selection of poems the individual approach to the sacred is emphasized over any adherence to orthodoxy or doctrine. In this anthology, spiritual traditions of East and West are filtered through the personal vision of sixteen contemporary Canadian poets. These poets are joined together not by faith and similar belief, but in each following their own path to truth. Their poems and stories and editor Sussan McCaslin's insightful introduction illuminated fundamental themes of spiritual life that resonated in each of us.
The Literary History of Saskatchewan: Volume 1
Saskatchewan’s literary history is both colourful and complex. It is also mature enough to deserve a critical investigation of its roots and origins, its salient features and its prominent players. This collection of scholarly essays, conceptualized and compiled by well-known Saskatchewan novelist, essayist and scholar David Carpenter, examines the Saskatchewan literary scene, from its early Aboriginal storytellers on through to the decades to the burgeoning 1970s. The dozen essays, preceded by a David Carpenter introduction, include such topics as “Our New Storytellers: Cree Literature in Saskatchewan”; “The Literary Construction of Saskatchewan before 1905: Narratives of Trade, Rebellion and Settlement” and “The New Generation: The Seventies Remembered.” Also included are special topics, among them – “Playwriting in Saskatchewan”; “Feral Muse, Angelic Muse – The Poetry of Anne Szumigalski”, and tribute pieces to John V. Hicks, R.D. Symons, Terrence Heath and Alex Karras. Contributing scholars include the likes of: Kristina Fagan, Jenny Kerber, Susan Gingell, Ken Mitchell and Martin Winquist.
A History of Canadian Literature
New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts. Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how - from early records of oral tales to the writing strategies of the early twenty-first century - writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers represen...
Perspectives of Saskatchewan
At the turn of the nineteenth century, Saskatchewan was one of the fastest growing provinces in the country. In the early 1900s, it revolutionized the Canadian political landscape and gave rise to socialist governments that continue to influence Canadian politics today. It was the birthplace of Canada’s publicly funded health care system, and home to a thriving arts and literary community that helped define western Canadian culture. In Perspectives of Saskatchewan, twenty-one noted scholars present an in-depth look at some of the major developments in the province’s history, including subjects such as art, literature, demographics, politics, northern development, and religion. It lays the foundations for a greater understanding of Saskatchewan’s unique history, identity, and place in Canada.
Nine Visits to the Mythworld
The nine stories contained in this volume are the finest offerings from one of the last of the traditional Haida storytellers, Ghandl of the Qayahl Llaanas. Ghandl was born in 1851 in a small Haida island community off the coast of British Columbia. His world was devastated by waves of European diseases, which wiped out over ninety percent of the Haidas and robbed him of his sight. He became a skilled listener, taking in the myths, legends, and everyday stories of his people. Creatively adapting them, the blind storyteller became a master of his craft. In 1900 John Swanton, with the help of a translator, transcribed a number of Ghandl's narrative poems. Nearly all of the poems in this volume...
