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Terrence Malick and the Thought of Film
Terrence Malick and the Thought of Film explores how the experience of viewing Terrence Malick's films enables imaginative acts of philosophical interpretation. Useful for both professional philosophers interested in film and scholars of cinema intrigued by philosophy, this book shows the ways Malick's films cast philosophy in new cinematic light.
Theology and the Films of Terrence Malick
Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malick’s background in philosophy, they have been slower to respond to his theological concerns. This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malick’s career as a filmmaker and shows how his Heideggerian interests relate t...
The Cinema of Terrence Malick
With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years. While Terrence Malick's work has always divided opinion, his poetic, transcendent filmic language has unquestionably redefined modern cinema, and with a new feature scheduled for 2008, contemporary cinema is finally catching up with his vision. This updated second edition of The Cinema of Terrence Malick: Poetic Visions of America charts the continuing growth of Malick's oeuvre, exploring identity, place, and existence in his films. Featuring two new original essays on his latest career landmark and extensive analysis of The Thin Red Line-Malick's haunting screen treatment of World War II-this is an essential study of a visionary poet of American cinema.
The Magic Hours
Terrence Malick is the most enigmatic film director currently working. Since the early seventies, his work has won top prizes at film festivals worldwide and brought him wide recognition as the cinematic equivalent of a poet. His life is shrouded in mystery, leaving audiences with rumors, few established facts, and virtual silence from the filmmaker himself following his last published interview in 1979. This has done nothing to dim the luminous quality of his films, from Badlands (1973) and Days of Heaven (1978), to later works such as The Thin Red Line (1998), The Tree of Life (2011), and A Hidden Life (2019). The Magic Hours: The Films and Hidden Life of Terrence Malick is the first true biography of this visionary filmmaker. Through interviews and in-depth research, John Bleasdale reveals the autobiographical grounding of many of Malick's greatest films as well as the development of an experimental form of filmmaking that constantly expands the language of cinema. It is the essential account for anyone wishing to understand Malick and his work.
Terrence Malick
Discusses Malick's films as individual objects, as a corpus, within contemporary film studies, and within a wider cultural discussion. >
Terrence Malick and the Examined Life
Terrence Malick is one of American cinema’s most celebrated filmmakers. His films—from Badlands (1973) and Days of Heaven (1978) to The Thin Red Line (1998), The Tree of Life (2011), and, most recently, A Hidden Life (2019)—have been heralded for their artistry and lauded for their beauty, but what really sets them apart is their ideas. Terrence Malick and the Examined Life is the most comprehensive account to date of this unparalleled filmmaker’s intellectual and artistic development. Utilizing newly available archival sources to offer original interpretations of his canonical films, Martin Woessner illuminates Malick’s early education in philosophy at Harvard and Oxford as well a...
Terrence Malick
Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement. In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of...
The Films of Terrence Malick
Despite overwhelming acclaim for his work, director Terrence Malick remains an under-examined figure of an era of filmmaking that also produced such notables as Robert Altman, Francis Ford Coppola, and Martin Scorsese. His films Badlands and Days of Heaven remain benchmarks of American cinema, while his recent The Thin Red Line returned him to the pantheon of American directors. In this new study, authors James Morrison and Thomas Schur examine each of his films in detail, drawing on extensive archival research to construct a portrait of his working methods as a director as well as the thematic, aesthetic, and cultural components of his work. Moreover, aside from tracing the development of M...
The Cinema of Terrence Malick
Terrence Malick is one of Hollywood's most enigmatic and legendary film-makers. Despite his limited output, and a famous twenty-year absence from cinema, Badlands, Days of Heaven and The Thin Red Line have challenged notions of contemporary film language. This collection explores issues of identity, the poetics of cinema, representation of the road, youth culture and the American West, the depiction of landscape and nature, use of sound and music, and the influence of philosopher Martin Heidegger. Particular emphasis is placed on The Thin Red Line, an important classic of modern cinema.
Terrence Malick
Terrence Malick's debut film, Badlands, announced the arrival of a unique talent. In the 40 years since that debut, Malick has only made 5 films, but they are distinctive in their beauty. This book is not meant to be a biography of Terrence Malick. The purpose behind the book is to introduce readers to the extraordinary universe of his film-making and to aid them in understanding his work. And to do this through the words of his closest collaborators - cinematographers, set designers, costumers, cameramen, directors, producers, and actors such as Sean Penn, Martin Sheen, Sissy Spacek and Jessica Chastain. As their words flow from one to another, they form a fascinating, kaleidoscopic vision of American film and specifically Malick's artistic world. who make up a film. This book is the fruit of a journey began years ago when Luciano Baracaroli, Carlo Hintermann, Gerardo Panichi and Daniele Villa made a documentary on the work of Terrence Malick, which led to the making of this book as well.
