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The Palgrave Handbook on Rethinking Colonial Commemorations explores global efforts, particularly from Indigenous and Bla(c)k communities, to dismantle colonial commemorations, monuments, and memorials. Across the world, many Indigenous and Bla(c)k communities have taken action to remove, rectify and/or re-imagine colonial commemorations. These efforts have had the support of some non-Indigenous and white community members, but very often they have faced fierce opposition. In spite of this, many have succeeded, and this work aims to acknowledge and honour these efforts. As a current and much-debated issue, this book will present fresh findings and analyses of recent and historical events, including #RhodesMustFall, Anzac Day protests, and the transferral of confederate monuments to museums. Comprising of chapters written by Indigenous, Bla(c)k and non-Indigenous authors, from a wide variety of locations, backgrounds and purposes, this topical volume is a timely and important contribution to the fields of memory studies, Indigenous Studies, and cultural heritage.
Grappling with Monuments of Oppression provides a timely analysis of the diverse approaches being used around the world to confront colonial and imperial monuments and to promote social equity. Presenting 12 interdisciplinary, international case studies, this volume explores the ways in which the materiality of social domination can be combated. With contributions from activists, scholars, artists, and policymakers, the book envisions the theme of restorative justice in heritage and archaeology as encompassing initiatives for the reconciliation of past societal transgressions using processes that are multivocal, dialogic, historically informed, community-based, negotiated, and transformative...
This book is about people who are marginalised in criminology; it is an attempt to make space and amplify voices that are too often overlooked, spoken about, or for. In recognising the deep-seated structural inequalities that exist within criminal justice, higher education, and the field of criminology, we offer this text as a critical pause to the reader and invite you to reflect and consider within your studies and learning experience, your teaching, and your research: whose voices dominate, and whose are marginalised or excluded within criminology and why? This edited collection offers chapters from international criminology scholars, activists, and practitioners to bring together a range...
This long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across 11 chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip Hop in Australia, including Emceeing/ music production, Graffiti and Breaking. The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters, while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music, youth culture and First Nations Studies. It will prove essential reading for students, academics, and practitioners interested in Hip Hop, social justice, popular culture, music and dance in Australia.
Longing for Belonging among the Marginalized in Urban Australia examines how Indigenous people, African refugees, and impoverished Whites in urban Australia, who are deemed “undesirable citizens” under neoliberal governance, experience citizenship in their everyday lives. Drawing on ethnography conducted in Adelaide and Sydney from 2014 to 2020, along with digital ethnography, it elucidates a new sense of belonging being developed across these groups that is mediated by their shared experiences of displacement and predicaments. While individuals of these groups are marginalized due to the reinforcement of race and homogenization of welfare beneficiaries as morally deficient and are asham...
In the summer of 2019, a group of kia'i, or protectors, made up of kānaka 'ōiwi (Native Hawaiians) and their allies came together to prevent the construction of the Thirty-Meter Telescope (TMT) on the dormant volcano Maunakea. In Mele on the Mauna, Joseph Keola Donaghy explores how music, and especially haku mele, or Hawaiian language composers, played a crucial role in this defense. Musicians flocked to the mauna (mountain) to perform for the kia'i and a worldwide audience via social media. Haku mele created new songs at unprecedented levels, releasing many commercially with proceeds benefiting organizations providing support services and supplies to the kia'i. This book features over 30 ...
Pugliese’s More‐Than‐Human Diasporas breaks the confines of existing scholarship in its vision of the way that more‐than‐human diasporic entities—such as water, trees, clay, stone and architectural styles—have functioned as agents within the context of empire, settler colonialism and a largely effaced history of Mediterranean enslavement, a history that pre‐existed and then coincided with the Atlantic slave trade. This book traces, for example, the diasporic travels of the eucalyptus from Indigenous Country to Joseph Banks’ botanical collection in London and then onto a grand English‐style garden in Southern Italy which was built on the historically effaced labour of ensl...
Within a digital context in contemporary consumer societies, Curating Digital Lives: Consumer Cultures, Digital Platforms, and Everyday Practices draws on practice theories to explore Chinese urban residents’ lived experiences of digital platforms in their ordinary lives, mapping digital geographies of consumption at micro scales. Using the conception of “curation,” this book teases out the engagements of different types of digital platforms and devices within daily practices to understand the connections between local cultures and the global development of digital technologies. The empirical discussions in this book address how urban residents curate their digital geographies of consu...
An important literary memoir which views white settler family history against the impacts on the Indigenous people with whom they interact. Monument is poet and critic Bonny Cassidy’s fourth book. Moving seamlessly through genres in its recovery of the past — part poetry, part prose, microhistory, memoir, travel writing, and sometimes counterfactual speculation — it traces the complex consequences of colonial settlement across the generations of a White Australian family of mixed origins and ancestries. Following the threads and detours signalled by research, objects and testimony, Cassidy makes a case for the value of ‘collected memory’ against the tide of settlement and silence. Inspired by the methods of Natalie Harkin’s archival poetics and Katrina Schlunke’s Bluff Rock: Autobiography of a Massacre, Cassidy’s Monument considers how non-Indigenous Australians might absorb First Nations truth-telling; and what this means for acts of speech, and writing. Should our memories serve the living or the dead, the past or the present? Why do we need new monuments in Australia, and where should we expect to find them?
This volume was first published by Inter-Disciplinary Press in 2013. It is all too easy to begin the introduction of a book examining suicide by citing statistics on rates of death around the world. The vast majority of research seeks to make sense of suicide through quantitative analysis; however, this does not begin to do justice to the lived experience. While we do not wish to suggest there is one ‘right’ lens through which to study suicide, we must recognize that there are myriad lenses though which to examine it. There are many voices, many stories that must be heeded, and these stories are not just of the people who have themselves died by suicide, but also those who are or have been suicidal and those who have been bereaved by suicide. By examining cultural perspectives, different media, memory and place, as well as loss, this book aims to tell stories of suicide and working and living with the suicidal.