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Women Who Pioneered Oklahoma
  • Language: en
  • Pages: 260

Women Who Pioneered Oklahoma

They came in land runs and on the Trail of Tears, sometimes with families, sometimes alone. But the women who first came to Oklahoma all had trials to face—and stories to tell. In this stirring collection, the women who settled what would become Oklahoma tell their own stories in their own words. From thousands of interviews conducted by the Work Projects Administration in 1936–37 and preserved in the Indian Pioneer Papers of Oklahoma, editors Terri M. Baker and Connie Oliver Henshaw have selected the words of women from a wide range of socioeconomic groups, ethnic backgrounds, and geographical locations to relate the pioneer experience as it was really lived. Elegantly written, skillfully edited, Women Who Pioneered Oklahoma reflects the everyday will and courage to survive of Oklahoma’s founding mothers. It conveys the violence of a frontier culture set in a landscape of stark beauty where death was always just a heartbeat away. A vital part of the state centennial, theirs is the story of real Oklahoma, writ large—and in a distinctly female hand.

Women Confronting Retirement
  • Language: en
  • Pages: 398

Women Confronting Retirement

In this nontraditional guide, the editors showcase the voices of 38 women as they confront the need to redefine who they are when they leave the workplace behind them. 34 photos.

I'm Not Dancing Anymore
  • Language: en

I'm Not Dancing Anymore

From growing up in the Simpson family to life with O.J. and Nicole, to the days, weeks, and months before and after the murders, this is a true insider's story that only a close family member could tell. Includes 16 pages of never-before-published photos.

Women Who Pioneered Oklahoma
  • Language: en
  • Pages: 247

Women Who Pioneered Oklahoma

They came in land runs and on the Trail of Tears, sometimes with families, sometimes alone. But the women who first came to Oklahoma all had trials to face—and stories to tell. In this stirring collection, the women who settled what would become Oklahoma tell their own stories in their own words. From thousands of interviews conducted by the Work Projects Administration in 1936–37 and preserved in the Indian Pioneer Papers of Oklahoma, editors Terri M. Baker and Connie Oliver Henshaw have selected the words of women from a wide range of socioeconomic groups, ethnic backgrounds, and geographical locations to relate the pioneer experience as it was really lived. Elegantly written, skillfully edited, Women Who Pioneered Oklahoma reflects the everyday will and courage to survive of Oklahoma’s founding mothers. It conveys the violence of a frontier culture set in a landscape of stark beauty where death was always just a heartbeat away. A vital part of the state centennial, theirs is the story of real Oklahoma, writ large—and in a distinctly female hand.

American Indian Culture and Research Journal
  • Language: en
  • Pages: 878

American Indian Culture and Research Journal

  • Type: Book
  • -
  • Published: 2009
  • -
  • Publisher: Unknown

None

Writers Forum
  • Language: en
  • Pages: 620

Writers Forum

  • Type: Book
  • -
  • Published: 1995
  • -
  • Publisher: Unknown

None

The Color of the Land
  • Language: en
  • Pages: 309

The Color of the Land

Color of the Land: Race, Nation, and the Politics of Landownership in Oklahoma, 1832-1929

Chronicles of Oklahoma
  • Language: en
  • Pages: 562

Chronicles of Oklahoma

  • Type: Book
  • -
  • Published: 2007
  • -
  • Publisher: Unknown

None

Bibliographic Guide to Black Studies
  • Language: en
  • Pages: 504

Bibliographic Guide to Black Studies

  • Type: Book
  • -
  • Published: 1997
  • -
  • Publisher: Unknown

None

Josephine Baker's Cinematic Prism
  • Language: en
  • Pages: 216

Josephine Baker's Cinematic Prism

Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character ...