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There are some two hundred TV markets in the country, but only oneÑBoston, MassachusettsÑhosted a Golden Age of local programming. In this lively insider account, Terry Ann Knopf chronicles the development of Boston television, from its origins in the 1970s through its decline in the early 1990s. During TVÕs heyday, not only was Boston the nationÕs leader in locally produced news, programming, and public affairs, but it also became a model for other local stations around the country. It was a time of award-winning local newscasts, spirited talk shows, thought-provoking specials and documentaries, ambitious public service campaigns, and even originally produced TV films featuring Hollywoo...
Are race-related rumors rooted in the personality traits of the individual? Are they a kind of "improvised news" for a community? Do they come and go at random or form definite, recognizable patterns? What role do the news media play in spreading rumors? These and other questions are treated in this classic study, now available in paperback with a new introduction by the author, of how and why rumors emerge in connection with racial disorders. Included is an examination and critique of the three major models of rumor formation: the psychological approach, emphasizing the emotional needs and drives of the individual; the functional approach, which views rumors as a form of "improvised news"; ...
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After Elizabeth Mehren lost her daughter, she set out to write the book she most needed: one that would offer solace, support, and inspiration. Telling her own story and the stories of other bereaved parents - contemporary and historical - she discovered that this worst grief of all never ends but that if you're open to it, it can transform itself. Above all, it is a journey. After the Darkest Hour is both a guide and a meditation. The author takes us through the process of grieving, from the effects of a child's death on the parents' marriage to what to say when someone asks, "Do you have children?" This book also offers valuable advice for the friends and relatives of bereaved parents.
Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'fema...
Though the Holocaust has been documented in depth, historians and the public know very little about the experience of Eastern European Jews during the preceding world war. A Nation of Refugees tells the story of how ordinary Jewish people in the Russian Empire survived World War I as refugees and civilians. It focuses on the resilience and organized campaigns of humanitarian war relief that countered violence and victimization. Above all, it captures the voices and experiences of refugees at a time of upheaval and war through first-hand accounts.
Legends are arguably the most common narrative form of folklore in American society. From sex acts to business transactions, from fashion to food, from heroes to heroin, rumors and legends take on every charged topic. Children circulate texts about toys and candy; teenagers share stories about sex, drugs, and rock and roll; young professionals commiserate over the hazards of the work world. These stories address aspects of life about which we receive mixed or ambiguous messages. Given that matters relevant to race remain confused and divisive in many corridors of American society, it is not surprising that rumors and legends that reflect racial misunderstanding and mistrust frequently circul...
Public television's original mandate required it to address issues of controversy and facilitate the inclusion of voices and perspectives from outside the established consensus. Through detailed chronology, the author of this text traces how far this obligation has been met.
Empire’s Tracks boldly reframes the history of the transcontinental railroad from the perspectives of the Cheyenne, Lakota, and Pawnee Native American tribes, and the Chinese migrants who toiled on its path. In this meticulously researched book, Manu Karuka situates the railroad within the violent global histories of colonialism and capitalism. Through an examination of legislative, military, and business records, Karuka deftly explains the imperial foundations of U.S. political economy. Tracing the shared paths of Indigenous and Asian American histories, this multisited interdisciplinary study connects military occupation to exclusionary border policies, a linked chain spanning the heart of U.S. imperialism. This highly original and beautifully wrought book unveils how the transcontinental railroad laid the tracks of the U.S. Empire.