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"Originally published by the California Historical Society Press and Heyday Books"--T.p. verso.
In the summer of 1932, at the beginning of the turbulent decade that would remake America, baseball fans were treated to one of the most thrilling seasons in the history of the sport. As the nation drifted deeper into the Great Depression and reeled from social unrest, baseball was a diversion for a troubled country—and yet the world of baseball was marked by the same edginess that pervaded the national scene. On-the-field fights were as common as double plays. Amid the National League pennant race, Cubs’ shortstop Billy Jurges was shot by showgirl Violet Popovich in a Chicago hotel room. When the regular season ended, the Cubs and Yankees clashed in what would be Babe Ruth’s last appe...
Since 1995, the Indiana State University Conference on Baseball in Literature and American Culture has provided a venue for scholars to present their research on baseball as literary subject matter and cultural institution. Nineteen essays presented at the 2002 and 2003 ISU conferences are published in this work. The essays demonstrate that baseball continues to engage scholars like no other sport, despite the game's supposed loss of stature as the national game. "A Field of Questions: W.P. Kinsella comes to Ithaca," reveals Kinsella as baseball fan and baseball writer. "'You don't play the angles, you're a sap': John Sayles, Eliot Asinof, Baseball Labor, and Chicago in 1919" examines Sayles...
Although he never played a day in the white major leagues, John Henry "Pop" Lloyd was one of the greatest baseball players who ever lived. A shortstop who could take over a game with his glove or his bat, Lloyd dominated early black baseball, drawing comparisons to the most celebrated National Leaguer of his day, Honus Wagner, who declared it a privilege to be mentioned with Lloyd. Beginning his career years before the first Negro National League was established, Lloyd played for a dizzying number of teams, following the money, as he'd put it, throughout the country and sometimes past its borders, doing several stints in Cuba. He was seemingly ageless, winning two batting titles in his 40s and playing at the highest levels of blackball until he was 48. (He would continue to coach and play semi-pro baseball for another ten years.) Admired by teammates and opponents alike for his generosity and quiet strength, Lloyd was also one of the most beloved figures in white or black baseball.
If You Were Only White explores the legacy of one of the most exceptional athletes ever—an entertainer extraordinaire, a daring showman and crowd-pleaser, a wizard with a baseball whose artistry and antics on the mound brought fans out in the thousands to ballparks across the country. Leroy “Satchel” Paige was arguably one of the world’s greatest pitchers and a premier star of Negro Leagues Baseball. But in this biography Donald Spivey reveals Paige to have been much more than just a blazing fastball pitcher. Spivey follows Paige from his birth in Alabama in 1906 to his death in Kansas City in 1982, detailing the challenges Paige faced battling the color line in America and recountin...
The Jewish Graphic Novel is a lively, interdisciplinary collection of essays that addresses critically acclaimed works in this subgenre of Jewish literary and artistic culture. Featuring insightful discussions of notable figures in the industryùsuch as Will Eisner, Art Spiegelman, and Joann Sfarùthe essays focus on the how graphic novels are increasingly being used in Holocaust memoir and fiction, and to portray Jewish identity in America and abroad
Chicago in the Roaring Twenties was a city of immigrants, mobsters, and flappers with one shared passion: the Chicago Cubs. It all began with the decision of the chewing-gum tycoon William Wrigley to build the world’s greatest ball club in the nation’s Second City. In this Jazz Age center, the maverick Wrigley exploited the revolutionary technology of broadcasting and attracted eager throngs of women to his renovated ballpark. Mr. Wrigley’s Ball Club transports us to this heady era of baseball history and introduces the team at its crazy heart—an amalgam of rakes, pranksters, schemers, and choirboys who take center stage in memorable successes and disasters. Readers take front-row seats to meet one Hall of Famer after another—Grover Cleveland Alexander, Rogers Hornsby, Joe McCarthy, Lewis “Hack” Wilson, Gabby Hartnett. The cast of characters also includes their colorful if less-sung teammates and the Cubs’ nemesis, Babe Ruth, who terminates the ambitions of Mr. Wrigley’s ball club with one emphatic swing.
What happens when we blur time and allow ourselves to haunt or to become haunted by ghosts of the past? Drawing on archaeological, historical, and ethnographic data, Blurring Timescapes, Subverting Erasure demonstrates the value of conceiving of ghosts not just as metaphors, but as mechanisms for making the past more concrete and allowing the negative specters of enduring historical legacies, such as colonialism and capitalism, to be exorcised.
After identifying early conflicts between churches and baseball in the late-nineteenth century, Price examines the appropriation of baseball by the House of David, an early twentieth-century millennial Protestant community in southern Michigan. Turning then from historic intersections between baseball and religion, two chapters focus on the ways that baseball reelects religious myths. First, the omphalos myth about the origin and ordering of the world is reflected in the rituals and rules of the game. Then the myth of curses is explored in the culture of superstition that underlies the game. At the heart of the book is a sustained argument about how baseball functions as an American civil re...