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Laura
  • Language: en
  • Pages: 362

Laura

How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estri...

Murder on Trial
  • Language: en
  • Pages: 294

Murder on Trial

This fascinating collection examines murder jurisprudence—the social rules that govern the arrest, trial, and punishment of people accused of murder—in the United States from the colonial period to the present. The contributors show how changing social mores have influenced the application of murder law by highlighting the ways cultural biases like racism, changing ideas about childhood and insanity, and the ameliorative effects of middle class status and paternal imagery both helped and handicapped persons accused of murder. Such famous cases as the Lizzie Borden axe murder and African American activist Abu-Jamal's murder trial are included.

Intensely Family
  • Language: en
  • Pages: 244

Intensely Family

Examines the heritage of failure and shame in the lives of Henry James (1843-1916) and his father, his strategies for self- protection and vocational success in his A Small Boy and Others, the biographical consequences of his autobiography, and the divided messages he transmits in his subsequent book about his brother. Paper edition (unseen), $23.95. Annotation copyright by Book News, Inc., Portland, OR

Shades of Gray
  • Language: en
  • Pages: 224

Shades of Gray

History of the plantation owned by the Clay family, which was acquired by Henry and Clara Ford, and renamed Richmond Hill.

The Tifts of Georgia
  • Language: en
  • Pages: 368

The Tifts of Georgia

This unique book addresses the under-analyzed subject of internal migration in American historiography by showing the impact of eight generations of a family from New England on the development of Southern Georgia from the eighteenth to the end of the twentieth centuries. Focusing on cross-regional influences, The Tifts of Georgia sheds new light on such traditional topics as paternalism, cultural assimilation, and race relations. Originally from Mystic, Connecticut, the Tifts migrated to Key West, Florida, where they profited from the wrecking trade, set up business operations at various points along the eastern coast of the United States, and eventually made a significant impact on some of...

Richmond Hill
  • Language: en
  • Pages: 138

Richmond Hill

When automotive pioneer Henry Ford burst upon the scene in 1925, Ways Station was hardly more than an assemblage of modest residences, a store or two, and a post office. Spurred by the energies and vision of Ford, an army of agricultural, industrial, medical, and educational experts from Dearborn, Michigan, transformed the area into one of the most productive, vibrant communities on the southern tidewater. Ford employed hundreds of area residents to farm 85,000 acres along the Ogeechee River. He also established sawmills, lumberyards, and agricultural experiment stations. He provided the impetus for schools and educational programs and introduced 20thcentury medicine to the area. By 1941 and the eve of World War II, Ways Station had become Richmond Hill and had attained the peak of its renewed enterprise. Since that time, the community has been called "the town Henry Ford built."

Writing the Self
  • Language: en
  • Pages: 268

Writing the Self

  • Type: Book
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  • Published: 2015-09-30
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  • Publisher: Routledge

A monograph that re-evaluates the final decade of Henry James' creative life. It examines the narrative of "The American Scene", the autobiographical writing, a number of short stories and two incomplete novels: works which offer contrasting notations of the self.

Bathed in Blood
  • Language: en
  • Pages: 236

Bathed in Blood

Regardless of color or class, men in the Old South hunted; the meat, hides, and furs they brought home reinforced the hunters' claims to patriarchal authority as providers for their households. During the antebellum era, many white men also began using the hunt as a venue for the display of increasingly complex ideas about gender, race, class, and community. Proctor (history, Simpson College) explores the social drama of the hunt as it was conducted between 1800 and 1860, through accounts in books, letters, journals, and periodicals. He looks at the historical developments that shaped hunting as well as interactions between men and women and between owners and slaves. Annotation copyrighted by Book News, Inc., Portland, OR

Murder Most Foul
  • Language: en
  • Pages: 371

Murder Most Foul

Karen Halttunen explores the changing view of murder from early New England sermons read at the public execution of murderers, through the nineteenth century, when secular and sensational accounts replaced the sacred treatment of the crime, to today's true crime literature and tabloid reports.

The Suicidal State
  • Language: en
  • Pages: 260

The Suicidal State

Through mapping the entwinement between the turn-of-the-century nativist discourse, "race suicide," and the frequent representation of suicide in Progressive-Era literature, The Suicidal State asks what kind of agency, subjectivity, and intimacies suicide could forge in its undoing of the selfhood. Prefiguring the twenty-first-century white nationalist discourse "replacement theory," race suicide imagined the white race's declining birthrate as a sign of its imminent extinction, sparking anti-immigrant sentiment and legislation. Suicidal figures in period literature, this book argues, symptomatically enact race suicide to short-circuit the imperatives of racial reproduction and self-preservation, instead gesturing toward new erotic relationalities and pleasures.