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Indian Textiles
* Features Indian textiles pieces from the Karun Thakar Collection, and The Textile Museum and Cotsen Textile Traces Study Collection in Washington, DC* Published to accompany an exhibition at The Textile Museum at George Washington University in Washington, DC, opening January 2022The book features items from one of the world's foremost private collections of Indian textiles, the Karun Thakar Collection, together with key pieces from two recently united American collections, The Textile Museum and the Cotsen Textile Traces Study Collection in Washington, DC. The book and accompanying exhibition offer a unique approach to understanding Indian textile culture through reference to three distin...
The Primary Structures of Fabrics
Irene Emery was one of America's leading authorities on ancient fabrics and textiles before her death in 1981. Her studies led her to become increasingly concerned with the haphazard and confusing terminology for describing fabrics in a precise way, and she began serious study of this problem at the Laboratory of Anthropology Santa Fe in 1947, and later at the textile museum in Washington D.C. This book is a result of these studies, recognised as a classic when first published in America. The book's essential strength is its universality: for the first time a definition of the actual structural make up, of fabrics and their component parts is clear and accessible to all, whether the purpose of study is an aspect of design, history, or cultural significance and whatever its scope chronologically or geographically.
Colors of the Oasis
Issued in connection with an exhibition held Oct. 13, 2010-Mar. 17, 2011, Textile Museum, Washington, D.C.
Designing Identity
Ideals of character and beauty, and conceptions of self and society, were in flux during Late Antiquity, a period of extensive dramatic cultural upheaval for the Roman world, as the extraordinary growth of Christianity eclipsed paganism. Textiles from Late Antiquity document transformations of cultural traditions and societal values at the most intimate level of the individual body and the home. These textile artifacts are fragile, preserved only in arid conditions, often in fragments, and only rarely intact. The textiles selected for the exhibition Designing Identity at New York University's Institute for the Study of the Ancient World present an aesthetic of vibrant colors, fine materials,...
The Kimono Inspiration
The book explores the use and meaning of the kimono in America and traces the transformation of the garment from its ethnic origins, through its many appearances in fine art, costume, and high fashion, to its role in the contemporary Art-to-Wear Movement. It explores the American use of the kimono as a garment, as a symbol, and as an art form.
From the Rainbow's Varied Hue
This volume examines the rich and varied cloth traditions of Mindanao and the Sulu Archipelago. A wealth of illustrations, both contemporary and historical, introduce the reader to traditions that range from the blood-red, polished abaca cloths of the B'laan and the dazzling headcloths of the Tausug to the striking plaids in magenta and orange silk created by the Maguindanao. Essays explore in detail the textile traditions of the Bagobo, the B'laan, the Maguindanao, and the Maranao.
Conservation Concerns
Written in accessible, nontechnical language, this book's twenty-three essays provide invaluable conservation guidelines for a variety of materials and media. Focusing also on proper storage techniques and environmental control, contributors offer information on emergency planning, disaster management, and identifying damages that may require professional treatment.
A Philosophy of Textile
Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.
Woven Interiors
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