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"By surveying these elaborate tapestries, delicate carvings, and other objects in roughly the historical sequence in which they were created, we glimpse the evolving styles and artistic traditions of the Middle Ages and gain a more meaningful understanding of the contexts in which many of them appeared. Among the masterpieces on display at The Cloisters are the famed Unicorn Tapestries, the richly carved twelfth-century ivory cross associated with the abbey of Bury St. Edmunds, known as the "Cloisters Cross," the exquisite Annuciation triptych by the Netherlandish painter Robert Campin, and many fine examples of manuscript illumination, enameling, metalwork, and stained glass." "Complete with digital color photography, map, floor plan, and glossary, this book is a contemporary guide that will reward students and enthusiasts of the Middle Ages as well as visitors seeing the Museum for the first time."--BOOK JACKET.
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An illustrated tour of The Cloisters, presenting hidden treasures and details of the collection that might be missed by the casual visitor.
A collection of photographs depicting the carvings of the restored cloisters, with text reflecting on the meaning of each design and information about the flora and fauna of the Isle of Iona and beyond which most of the carvings represent. This use of symbols from the natural world reflects the close links of the early Celtic Christians with the land around them. Ewan Mathers, a frequent visitor to Iona since childhood, observed the newly rebuilt cloisters being transformed over thirty years from rough pillars of sandstone to a complete, unified work of art. From his own obsession with the carvings and conversations with their main creator, Chris Hall, has emerged the concept of cloisters as a labyrinth, the winding circular pathway of ancient mythology, the purpose of which was to effect a change of consciousness.
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