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Patterns of Fashion
No one interested in the history of dress, from art historians to stage designers, from museum curators to teachers of fashion and costume, can function effectively without Janet Arnold's Patterns of Fashion series, published by Macmillan since 1964. Since her untimely death in 1998, admirers of her work have been waiting, with increasing impatience, for the promised volume devoted to the linen clothes of the Elizabethan and early Stuart periods, a companion to her previous volume on tailored clothes of the same era. Planned and partly prepared by Janet herself, and completed by Jenny Tiramani, Janet's last pupil, no other book exists that is dedicated to the linen clothes that covered the body from the skin outwards. It contains full colour portraits and photographs of details of garments in the explanatory section as well as patterns for 86 items of linen clothing which range from men's shirts and women's smocks, from superb ruffs and collars to boot hose and children's stomachers. Beautifully produced, it is an invaluable guide to both the history and the recreation of these wonderful garments.
London Society Fashion 1905 1925
Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.
Fashion Metropolis Berlin 1836-1939
AT HAUSVOGTEIPLATZ Something unique emerged in the heart of Berlin in the nineteenth century: a creative centre for fashion and ready-made clothing. The hundreds of clothing companies that were established here manufactured modern clothing and developed new designs that were sold throughout Germany and the world. This industry reached the height of its success in the 1920s. Freed from their corsets, sophisticated women of the time dressed in the "Berlin chic" sold by Valentin Manheimer, Herrmann Gerson, or the Wertheim department stores. After 1933, however, most Jewish clothing industrialists were confronted with hatred and violence. Many of their companies were "Aryanized" while they themselves were robbed, displaced, and murdered. Under new Aryan management, these companies created conservative clothing that represented an entirely different image of women.
Costume
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Fabric of Society
Essays inspired by the collections at Platt Hall, The Gallery of English Costume, Manchester.
Exhibiting Fashion
A vivid history of fashion exhibitions that informs contemporary curating practices, from two experts in the field
The Tudor Tailor
Essential source book for reconstructing clothing 1509 to 1603.
Clothing and Textile Collections in the United States
"This Costume Society of America guide to clothing and textile collections in the United States lists 2,604 collections whose holdings include general clothing, costumes, uniforms, accessories, banners, flags, quilts. Entries include extended descriptions of holdings for more than 800 collections and black and white photographs for 245 collections"--Provided by publisher.
Costume in Performance
Machine generated contents note: -- Preface Introduction -- 1 The First Costume: Ritual and Reinvention -- 2 Costuming Choruses: Spectacle and the Social Landscape on Stage -- 3 The Grotesque Costume: The Comical and Conflicted 'Other' Body -- 4 The Flight off the Pedestal -- 5 Agency and Empathy: Artists Touch the Body -- 6 A Different Performativity: Society, Culture and History on Stage Notes -- Selected Bibliography -- Index
