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Uncivilisation
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Walking on Lava
"The Dark Mountain Project began with a manifesto published in 2009 by two English writers--Dougald Hine and Paul Kingsnorth--who felt that literature was not responding honestly to the crises of our time. In a world in which the climate is being altered by human activities; in which global ecosystems are being destroyed by the advance of industrial civilisation; and in which the dominant economic and cultural assumptions of the West are visibly crumbling, Dark Mountain asked: where are the writers and the artists? Dark Mountain's call for writers, thinkers and artists willing to face the depth of the mess we are in has made it a gathering point for a growing international network. Rooted in place, time and nature, their work finds a home in the pages of the Dark Mountain books, with two new volumes published every year. "Walking on Lava" brings together the best of the first ten volumes, along with the original manifesto. This collection of essays, fiction, poetry, interviews and artwork introduces The Dark Mountain Project's groundbreaking work to a wider audience in search of 'the hope beyond hope, the paths which lead to the unknown world ahead of us.'"--
Walking the Woods and the Water
In 1933, the eighteen year old Patrick Leigh Fermor set out in a pair of hobnailed boots to chance and charm his way across Europe, like a tramp, a pilgrim or a wandering scholar. The books he later wrote about this walk, A Time of Gifts, Between the Woods and the Water, and the posthumous The Broken Road are a half-remembered, half-reimagined journey through cultures now extinct, landscapes irrevocably altered by the traumas of the twentieth century. Aged eighteen, Nick Hunt read A Time of Gifts and dreamed of following in Fermor's footsteps. In 2011 he began his own great trudge - on foot all the way to Istanbul. He walked across Europe through eight countries, following two major rivers a...
Dark Mountain
Issue 1 is a book-length collection of new writing that goes deep into the roots of our culture, addressing the questions raised by the Dark Mountain manifesto: what do we do after we stop pretending that our way of living can be made "sustainable"? And where do we find new stories with which to ground ourselves, as that way of living passes? The book brings together a remarkable combination of thinkers, writers and artists whose work engages with these questions. Their essays, stories, poems and images are woven into a conversation which draws on a range of cultural and intellectual traditions
Confessions of a Recovering Environmentalist
Paul Kingsnorth was once an activist, an ardent environmentalist. He fought against rampant development and the depredations of a corporate world that seemed hell-bent on ignoring a looming climate crisis in its relentless pursuit of profit. But as the environmental movement began to focus on 'sustainability' rather than the defence of wild places for their own sake and as global conditions worsened, he grew disenchanted with the movement that he once embraced. He gave up what he saw as the false hope that residents of the First World would ever make the kind of sacrifices that might avert the severe consequences of climate change.Full of grief and fury as well as passionate, lyrical evocati...
The Wake
"A work that is as disturbing as it is empathetic, as beautiful as it is riveting." —Eimear McBride, New Statesman In the aftermath of the Norman Invasion of 1066, William the Conqueror was uncompromising and brutal. English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers. In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined...
52 Flowers that Shook My World
In 1991 Charlotte Du Cann leaves a fashionable London life and goes on the road. Her decision to break free has been influenced by the appearance of a flower, known as Mexican wormseed. Later she begins an exploration into the language of plants that changes her direction - and the territory she travels through - completely. The plants come dreams, in visions, in medicine ways and myths, in the lives of writers and in writing, and as she follows their track, crossing the thorny deserts of Arizona and the flowering wastelands of England, they call her back to the heartland, back to the shore where the sea-kale grows, to restore a world where nature and beauty are at the centre of life, and, most of all, to return to herself, someone who loved to be light and at liberty, an independent female being at home on the earth. From the Oxford Botanical Gardens to the streets of Mexico City, this is the story of search for a reconnection with nature and human liberation that speaks urgently of the future.
Real England
We see the signs around us every day: the chain cafs and mobile phone outlets that dominate our high streets; the disappearance of knobbly carrots from our supermarket shelves; and the headlines about yet another traditional industry going to the wall. For the first time, here is a book that makes the connection between these isolated, incremental local changes and the bigger picture of a nation whose identity is being eroded. As he travels around the country meeting farmers, fishermen and the inhabitants of Chinatown, Paul Kingsnorth reports on the kind of conversations that are taking place in country pubs and corner shops across the land - while reminding us that these quintessentially English institutions may soon cease to exist.
Alexandria
'Like Robert Macfarlane re-written by Cormac McCarthy.' Telegraph'Beckett doing Beowulf.' London Review of Books One thousand years from now, the sole inhabitants of a small island - a group no larger than an extended family - are living in a post-civilised world. They are perhaps the Earth's only human survivors.But lurking outside their isolated community is a figure in red, an emissary from another way of life: a virtual place of refuge and security, of escape from the dangers of a newly wild world. The visitor calls it Alexandria. A work of radical and matchless imagination, Paul Kingsnorth's new novel is a mythical, polyphonic drama driven by elemental themes: of community versus the self, the mind versus the body, machine over man; whether to put your faith in the present or the future.Set on the far side of the climate apocalypse, Alexandria completes the Buccmaster Trilogy, which began with Kingsnorth's prize-winning The Wake.
