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Prizing Scottish Literature
This history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. The book explores how the prizes have influenced understandings of Scottish literature over eight decades and explores what they reveal about the wider mechanisms of how literary prize culture functions in the UK today.
The White Rose of Gask
Carolina Oliphant, Lady Nairne, a contemporary of Robert Burns, wrote over 80 songs which enjoyed great popularity during her lifetime and still do so up to the present day. They are some of Scotland's most famous traditional songs – including 'Charlie Is My Darling', 'A Hundred Pipers', 'Will Ye No' Come Back Again' and 'The Laird of Cockpen'. Despite their popularity, she shunned publicity and never acknowledged her authorship in her lifetime, even concealing it from her husband for a time. After her death, the publication in 1846 of her collected songs and poems as Lays from Strathearn revealed her secret. Partly because of her lifelong reticence, details of her biography and her personality have remained little-known though her songs are famous, and this important Scottish literary figure has been neglected. Freeland Barber, a descendent of Lady Nairne, now presents a long-overdue biography and reassessment of her life and work, much of it based on research into family papers to which he has recently had access.
Scotland Resurgent
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Working Verse in Victorian Scotland
This volume reassesses working-class poetry and poetics in Victorian Britain, using Scotland as a focus and with particular attention to the role of the popular press in fostering and disseminating working-class verse cultures. It studies a very wide variety of writers who are unknown to scholarship, and assesses the political, social, and cultural work which their poetry performed. During the Victorian period, Scotland underwent unprecedented changes in terms of industrialization, the rise of the city, migration, and emigration. This study shows how poets who defined themselves as part of a specifically Scottish tradition responded to these changes. It substantially revises our understanding of Scottish literature in this period, while contributing to wider investigations of the role of popular verse in national and international cultures.
Bridgescapes
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Memory and Straw
A face is nothing without its history. Gavin and Emma live in Manhattan. She's a musician. He works in Artificial Intelligence. He's good at his job. Scarily good. He's researching human features to make more realistic mask-bots - non-human 'carers' for elderly people. When his enquiry turns personal he's forced to ask whether his own life is an artificial mask. Delving into family stories and his roots in the Highlands of Scotland, he embarks on a quest to discover his own true face, 'uniquely sprung from all the faces that had been'. He returns to England to look after his Grampa. Travels. Reads old documents. Visits ruins. Borrows, plagiarises and invents. But when Emma tells him his proper work is to make a story out of glass and steel, not memory and straw, which path will he choose? What's the best story he can give her? A novel about the struggle for freedom and personal identity; what it means to be human. It fuses the glass and steel of our increasingly controlled algorithmic world with the memory and straw of our forebears' world controlled by traditions and taboos, the seasons and the elements.
Joseph Knight
‘A book of such quality as to persuade you that historical novels are the true business of the writer.’ Daily Telegraph
And the Land Lay Still
It is the age of the bomb, the Cold War, Margaret Thatcher and North Sea Oil. As nationalism becomes a credible force in Scotland, a gay photographer, a feminist journalist, a war veteran and a guilt-ridden Conservative MP find their private lives entangled with the ideological conflicts of the times.
Da Happie Laand
Shortlisted for the Creative Scotland and Scottish Mortgage Investment Trust Fiction Award 2011An experimental novel on a grand scale, beautifully carried through. A Perth minister takes in a traumatised stranger who calls himself 'the son and heir to being lost'. When the stranger disappears, the events leading up to and following on from this are revealed. Shifting perspectives from a contemporary mystery to a history of Shetland and emigration, it extends the idea of Scottish empire and diaspora imaginatively, while addressing notions of being and belonging in 21st century Scotland. BACK COVER Hit wis kynda da promised land in mony wyes, da Happie Laand across da sea...In the summer of th...
