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Symbolic Space
Richard A. Etlin demonstrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he reconsiders eighteenth-century French architecture with regard to the ways in which it was informed by symbolic space. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
Technical Series
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Technical Series
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Violet Oakley
Violet Oakley: An Artist's Life is the first full-length biography of Violet Oakley (1874–1961), the only major female artist of the beaux-arts mural movement in the United States, as well as an illustrator, stained glass artist, portraitist and author. There is much human interest here: a pampered and spoiled young woman who suddenly finds herself in near poverty, forced to make a living in illustration to support her parents; a sensitive and idealistic young woman who, in a desperate attempt to save her neurasthenic father, embraces Christian Science, a religion derided by her family and friends; a 28 year old woman who receives one of the plum commissions of the era, a mural cycle in th...
Philadelphia's Rittenhouse Square
During the Gilded Age, Rittenhouse Square was home to Philadelphia's high society, with more millionaires per square foot than any other American neighborhood except New York's Fifth Avenue. Established by William Penn in 1682 as the South-West Square and renamed after astronomer David Rittenhouse in 1825, Rittenhouse Square and its environs changed from an isolated district of brickyards and workers' shanties into the city's most elegant and elite neighborhood between 1845 and 1865. The brownstone and marble mansions on the square itself were inhabited by the city's wealthiest and most prestigious families, with names like Biddle, Cassatt, Drexel, Stotesbury, and Van Rensselaer. As Philadelphia's upper classes fled to the suburbs in the early 20th century, their mansions were replaced by skyscrapers or taken over by cultural institutions like the Philadelphia Art Alliance and the Curtis Institute of Music. While only a few original residences remain on Rittenhouse Square, it is still the center of a lively upscale neighborhood.
The Art-makers
Eakins, Hunt, French, Morse, Trumbull, et al. and their struggle to make art respectable in 19th-century America. 211 illus.
Gothic Arches, Latin Crosses
Crosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these elements were viewed with suspicion as foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America. Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority in...
A Paradise of Small Houses
From the Haitian-style “shotgun” houses of the 19th century to the lavish high-rises of the 21st century, a walk through the streets of America’s neighborhoods that reveals the rich history—and future—of urban housing The Philadelphia row house. The New York tenement. The Boston triple-decker. Every American city has its own iconic housing style, structures that have been home to generations of families and are symbols of identity and pride. Max Podemski, an urban planner for the city of Los Angeles and lifelong architecture buff, has spent his career in and around these buildings. Deftly combining his years of experience with extensive research, Podemski walks the reader through t...
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