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Letters
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Approaching Emily Dickinson
"The book gives detailed attention to the principal trends in Dickinson scholarship during the past half-century: rhetorical and stylistic analysis of the poems and letters; biographical studies informed by theories of gender, sexuality, and by medical history; feminist studies of the poet's life and work; textual studies of the bound and unbound fascicles and the so-called worksheet drafts (or "scraps"); new assessments of the poet's social and cultural milieu, including influences on her spiritual sensibility; and of her theories of poetry, including lyricism."--BOOK JACKET.
Uncanny Magazine Issue 52
The May/June 2023 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Aliette de Bodard, Kylie Lee Baker, Lindsey Godfrey Eccles, Fran Wilde, Ewen Ma, Theodora Ward, and K.S. Walker. Reprint fiction by Chimedum Ohaegbu. Essays by Caroline M. Yoachim, LaShawn M. Wanak, Hana Lee, and Sam J. Miller, poetry by Nnadi Samuel, Jennifer Mace, Tehnuka, and Angela Liu, interviews with Kylie Lee Baker and Ewen Ma by Caroline M. Yoachim, a cover by Antonio Caparo, and an editorial by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, & 2022 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.
Writing in Time
Winner of the 2023 Richard J. Finneran Award for the best book about editorial theory or practice. For more than half a century, the story of Emily Dickinson's "Master" documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different story--the story of the documents themselves. Rather than presenting the "Master" documents as quarantined from Dickinson's larger scene of textual production, Marta Werner's innovative new edition proposes reading them next to Dickinson's other major textual experiment in the years between ca. 1858-1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of "mastery" itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinson's Master Hours proposes new constellations of Dickinson's work as well as exciting new methodologies for textual scholarship as an act of "intimate editorial investigation."
The Life of Emily Dickinson
A massively detailed, illustrated biography of Emily Dickinson.
The Letters of Emily Dickinson
The definitive edition of Emily Dickinson’s correspondence, expanded and revised for the first time in over sixty years. Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections—alternately humorous, provocative, affectionate, and philosophical—with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson is the first ...
The New Emily Dickinson Studies
This collection presents new approaches to Dickinson, informed by twenty-first-century theory and methodologies. The book is indispensable for Dickinson scholars and students at all levels, as well as scholars specializing in American literature, poetics, ecocriticism, new materialism, race, disability studies, and feminist theory.
Emily Dickinson's Open Folios
Undertakes a radically new model of critical editing
Measures of Possibility
"The author confronts the thorny question of whether any set of editing practices can adequately represent in print the distinctive characteristics of Emily Dickinson's writing".--BOOKJACKET.
Rebound
This pioneering collection of new essays challenges established modes of reading American lyric poetry, by orientating interpretation so that it incorporates an awareness of the book context in which individual poems are embedded. These essays critically explore individual books by Walt Whitman, Wallace Stevens, Robert Frost, Ezra Pound, Hart Crane, William Carlos Williams, Randall Jarrell, Robert Lowell, Adrienne Rich, Susan Howe, Lyn Hejinian and Jorie Graham, and consider the book as a restrictive, “binding” concept for Emily Dickinson and some contemporary American poets. Rebound both provides innovative readings of supposedly familiar poets and books, and also generates critical str...
