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Literature and the Politics of Family in Seventeenth-Century England
A common literary language linked royal absolutism to radical religion and republicanism in seventeenth-century England. Authors from both sides of the Civil Wars, including Milton, Hobbes, Margaret Cavendish, and the Quakers, adapted the analogy between family and state to support radically different visions of political community. They used family metaphors to debate the limits of political authority, rethink gender roles, and imagine community in a period of social and political upheaval. While critical attention has focused on how the common analogy linking father and king, family and state, bolstered royal and paternal claims to authority and obedience, its meaning was in fact intensely contested. In this wide-ranging study, Su Fang Ng analyses the language and metaphors used to describe the relationship between politics and the family in both literary and political writings and offers a fresh perspective on how seventeenth-century literature reflected as well as influenced political thought.
Theologies of Language in English Renaissance Literature
Redescribing renaissance literature as a battleground of competing “theologies of language,” Baumlin reads Shakespeare’s Hamlet, Donne’s Songs and Sonets, and Milton’s “Lycidas” within a revisionist history of rhetoric: these works, Baumlin argues, mark stages in the Weberian Entzauberung or “disenchantment” of literature, as they move from the word-magic of medieval Catholicism to a puritan-reformed “rhetoric of certitude.” Historians of rhetoric, of Reformation theology, and of renaissance literature will find this a carefully-argued, controversial, ground-breaking study.
Metaphysical Shadows
Metaphysical Shadows: The Persistence of Donne, Herbert, Vaughan, and Marvell in Contemporary Poetry examines the ways in which the poetry of John Donne, George Herbert, Henry Vaughan, and Andrew Marvell continues to speak to working poets today. Modern Anglophone poets, from T. S. Eliot and Archibald MacLeish in the 1920s and 1930s to Seamus Heaney, Maureen Boyle, Alfred Corn, Anne Cluysenaar, Kimberly Johnson, and Jericho Brown in the twenty-first century, have found in the work of John Donne, George Herbert, Henry Vaughan, and Andrew Marvell a strikingly modern intellectualism, an emotional intensity, and a verbal richness that have inspired their own poems. Traces of this inspiration app...
Reading, Desire, and the Eucharist in Early Modern Religious Poetry
The courtly love tradition had a great influence on the themes of religious poetryjust as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests. Reading, Desire, and the Eucharist analyzes the work of prominent early modern writersincluding John Milton, Richard Crashaw, John Donne, and George Herbertwhose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation.
Literature and Sacrament
This acclaimed study of Donne's secular and religious poetry places it in the context of 17th century theories of representation and reception, and sheds new light on the poetics of the period.
Seeing God
Winner of the Christianity Today Book Award in Theology/Ethics (2019) To see God is our heart's desire, our final purpose in life. But what does it mean to see God? And exactly how do we see God--with our physical eyes or with the mind's eye? In this informed study of the beatific vision, Hans Boersma focuses on "vision" as a living metaphor and shows how the vision of God is not just a future but a present reality. Seeing God is both a historical theology and a dogmatic articulation of the beatific vision--of how the invisible God becomes visible to us. In examining what Christian thinkers throughout history have written about the beatific vision, Boersma explores how God trains us to see his character by transforming our eyes and minds, highlighting continuity from this world to the next. Christ-centered, sacramental, and ecumenical, Boersma's work presents life as a never-ending journey toward seeing the face of God in Christ both here and in the world to come.
The Challenges of Orpheus
This critical exploration of how we define lyric poetry is “thorough, penetrating, and on the cutting edge of contemporary scholarship” (Choice). As a literary mode “lyric” is difficult to define. The term is conventionally applied to brief, songlike poems expressing the speaker’s interior thoughts, but many critics have questioned the underlying assumptions of this definition. While many people associate lyric with the Romantic era, Heather Dubrow turns instead to the poetry of early modern England. The Challenges of Orpheus confronts widespread assumptions about lyric, exploring such topics as its relationship to its audiences, the impact of material conditions of production and ...
Devotional Experience and Erotic Knowledge in the Literary Culture of the English Reformation
Discusses the ways in which post-Reformation devotional practices informed expressions of desire in the poetry of five Renaissance English writers: Shakespeare, Donne, Greville, Herrick, and Milton.
The Pleasures and Horrors of Eating
Browsing through books and TV channels we find people pre-occupied with eating, cooking and competing with chefs. Eating and food in today's media have become a form of entertainment and art. A survey of literary history and culture shows to what extent eating used to be closely related to all areas of human life, to religion, eroticism and even to death.In this volume, early modern ideas of feasting, banqueting and culinary pleasures are juxtaposed with post-18th- and 19th-century concepts in which the intake of food is increasingly subjected to moral, theological and economic reservations. In a wide range of essays, various images, rhetorics and poetics of plenty are not only contrasted with the horrors of gluttony, they are also seen in the context of modern phenomena such as the anorexic body or the gourmandizing bête humaine.It is this vexing binary approach to eating and food which this volume traces within a wide chronological framework and which is at the core not only of literature, art and film, but also of a flourishing popular culture.
Sacramental Poetics at the Dawn of Secularism
Sacramental Poetics at the Dawn of Secularism asks what happened when the world was shaken by challenges to the sacred order as people had known it, an order that regulated both their actions and beliefs. When Reformers gave up the doctrine of transubstantiation (even as they held onto revised forms of the Eucharist), they lost a doctrine that infuses all materiality, spirituality, and signification with the presence of God. That presence guaranteed the cleansing of human fault, the establishment of justice, the success of communication, the possibility of union with God and another, and love. These longings were not lost but displaced, Schwartz argues, onto other cultural forms in a movement from ritual to the arts, from the sacrament to the sacramental. Investigating the relationship of the arts to the sacred, Schwartz returns to the primary meaning of "sacramental" as "sign making," noting that because the sign always points beyond itself, it participates in transcendence, and this evocation of transcendence, of mystery, is the work of a sacramental poetics.
