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Thirty-seventh (Forty-eighth-Fiftieth, Fifty-second, Fifty-fifth) annual report
  • Language: en
  • Pages: 846
Irish Famine Immigrants in the State of Vermont
  • Language: en
  • Pages: 733

Irish Famine Immigrants in the State of Vermont

Mrs. Lane is a descendant of the author of the "Star Spangled Banner," Francis Scott Key. Her book traces Key's ancestry back to the American immigrant, Philip Key of London, who settled in St. Mary's County, Maryland in 1720, and forward to a number of Key lines in the U.S. of her own era.

The Origins of Yoga and Tantra
  • Language: en
  • Pages: 429

The Origins of Yoga and Tantra

Yoga, tantra and other forms of Asian meditation are practised in modernized forms throughout the world today, but most introductions to Hinduism or Buddhism tell only part of the story of how they developed. This book is an interpretation of the history of Indic religions up to around 1200 CE, with particular focus on the development of yogic and tantric traditions. It assesses how much we really know about this period, and asks what sense we can make of the evolution of yogic and tantric practices, which were to become such central and important features of the Indic religious scene. Its originality lies in seeking to understand these traditions in terms of the total social and religious context of South Asian society during this period, including the religious practices of the general population with their close engagement with family, gender, economic life and other pragmatic concerns.

Annual Report
  • Language: en
  • Pages: 382

Annual Report

  • Type: Book
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  • Published: 1868
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  • Publisher: Unknown

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The Creative South
  • Language: en
  • Pages: 375

The Creative South

This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to reca...

Inside Knowledge
  • Language: en
  • Pages: 266

Inside Knowledge

  • Type: Book
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  • Published: 2005-06-16
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  • Publisher: Springer

Bestselling author Michael Backman here draws upon a wealth of new examples, case studies and anecdotes to provide crucial insights into Asian business themes. This will provide a valuable guide for anybody whose business takes them into Asia and will enable readers to get to grips with Asian business and understand how Asia really works.

The Sorrows of Empire
  • Language: en
  • Pages: 412

The Sorrows of Empire

  • Type: Book
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  • Published: 2004
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  • Publisher: Verso

No Marketing Blurb

Epistemology of the Past
  • Language: en
  • Pages: 185

Epistemology of the Past

The encounter of indigenous history-making tradition with Western historical practice has been long neglected in Southeast Asian scholarship. Theara Thun offers one of the first critical and systematic studies of the interface between these two distinctive modes of historical presentation and their impacts on society. By examining historical discourses on Cambodia through the precolonial, colonial, and post-independence years, he presents a compelling account of indigenous scholars, with varying perspectives, who advocated competing versions of history. Thun argues that new discourses about national history emerged by drawing on, reconfiguring, combining, or, in many cases, rejecting older d...

Teaching South and Southeast Asian Art
  • Language: en
  • Pages: 306

Teaching South and Southeast Asian Art

This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.